Richard Hamilton
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Updated: 18 days ago
Classified as:
- Author
- Artist
Key facts:
- Life: 1922 - 2011
- Country: United Kingdom
- Gender: male
- Books: 14
- Artworks: 206
- Author Period Covered: 1970 - 2015
Timeline
There are 206 artworks by Richard Hamilton created between 1949 and 2007 in our database:
Movements
There are 47 artworks by Richard Hamilton linked to an art movement:
| Movement | Artworks | Distribution % | |
|---|---|---|---|
| Independent Group | 25 | 53.19 | |
| British Pop | 22 | 46.81 | |
Media and materials
Richard Hamilton used 99 distinct media and materials:
Collected by
206 artworks by Richard Hamilton are located in the following collections:
| Collection | Artworks | |
|---|---|---|
| Tate Museums | 139 | |
| Museum of Modern Art (New York) | 67 | |
Directory of work
Explore 206 artworks by Richard Hamilton:
| Title | Year | Medium |
|---|---|---|
| $he | 1958 | Oil paint, cellulose nitrate paint, paper and plastic on wood |
| $he (1958) from Collected Words: de luxe portfolio | 1982 | Collotype and screenprint from a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray |
| $he(1958) | 1982 | Collotype and screenprint on paper |
| 'AAH!' in perspective (1963) from Collected Words: de luxe portfolio | 1982 | Collotype and screenprint with ink additions from a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray |
| 5 Tyres Abandoned from The Institute of Contemporary Arts Portfolio | 1963 | Screenprint |
| A Mirrorical Return | 1998 | Digital print |
| A Portrait of the Artist by Francis Bacon | 1970 | Screenprint and collotype |
| A Postal Card - For Mother from S.M.S. No. 1 | 1968 | Photolithograph with fold out collage |
| A dedicated follower of fashion | 1980 | Photo-etching, etching and aquatint on paper |
| A languid floating flower | 1983 | Etching and aquatint on paper |
| A little bit of Roy Lichtenstein for ... | 1964 | Screenprint on paper |
| A mirrorical return | 1998 | Digital print on paper |
| A portrait of the artist by Francis Bacon | 1970 | Collotype and screenprint on paper |
| AAH! (1961) from Collected Words: de luxe portfolio | 1982 | Collotype and screenprint from a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray |
| AAH!(1961) | 1982 | Collotype and screenprint on paper |
| Adonis in Y Fronts | 1963 | Screenprint |
| Adonis in Y fronts | 1963 | Screenprint on paper |
| Album cover for The Who, Face Dances | 1981 | Lithograph |
| Bathers (b) | 1969 | Dye-transfer on paper mounted onto board |
| Bathroom - fig.2 | 1998 | Digital print on paper |
| Bathroom- fig.1 | 1997 | Digital print on paper |
| Beatles | 2007 | Digital print on paper |
| Berlin interior | 1979 | Photo-etching, engraving and aquatint on paper |
| Bronze by gold | 1985 | Etching, aquatint and engraving on paper |
| Buck Mulligan | 1987 | Etching and engraving on paper |
| Chiara & chair | 2004 | Digital print on paper |
| Chromatic spiral | 1950 | Oil paint on plywood |
| Circumferential sections | 1972 | Screenprint on polyester film |
| Collected Words | 1982 | Artist's book with a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray |
| Collected Words: de luxe portfolio | 1982 | Artist's book and portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray |
| DS-101 Computer | 1985 | Aluminum, cellulose, electronics, and anodized aluminum |
| Delay in Iron (Retard en fer) from the Museum in Progress project Safety Curtain | 2001 | Lithograph, offset printed |
| Depth of cut | 1972 | Screenprint on polyester film |
| Derek Jarman | 1996 | Digital print on paper |
| Diab DS-101 Computer | 1985 | Minicomputer |
| Dimensional data | 1972 | Screenprint on polyester film |
| Fashion-plate | 1969 | Lithograph, screenprint, pochoir and cosmetic on paper |
| Fin MacCool | 1983 | Photoetching, aquatint and engraving |
| Finn MacCool | 1983 | Photo-etching, aquatint and engraving on paper |
| Five Tyres abandoned | 1964 | Screenprint on paper |
| Five Tyres remoulded | 1971 | Portfolio of seven screenprints, one rubber relief, and one collotype |
| Flower-piece A | 1974 | Collotype and screenprint on paper |
| Flower-piece B | 1975 | Lithograph on paper |
| Flower-piece B - crayon study | 1975 | Lithograph on paper |
| Flower-piece B - cyan separation | 1975 | Lithograph on paper |
| Four Self Portraits - 05.3.81 | 1990 | Oil paint and enamel on cibachrome print on 4 canvases |
| Ghosts of Ufa | 1994 | Lithograph on paper |
| Glorious Techniculture | 1961 | Oil and collage on panel |
| Guggenheim (black) | 1970 | Vacuum-formed acrylic and cellulose |
| HOW A GREAT DAILY ORGAN IS TURNED OUT | 1990 | Etching, engraving and aquatint on paper |
| He foresaw his pale body | 1990 | Photo-etching, aquatint and engraving on paper |
| Hers is a lush situation (1957) | 1982 | Collotype, screenprint and foil on paper |
| Hers is a lush situation (1957) from Collected Words: de luxe portfolio | 1982 | Collotype and screenprint with collage additions from a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray |
| Heteromorphism | 1951 | Etching and aquatint on paper |
| Homage to Seghers | 1982 | Gravure and aquatint on paper |
| Hommage à Chrysler Corp. | 1957 | Oil paint, metal foil and digital print on wood |
| How a Great Daily Organ is Turned Out | 1987 | Aquatint, engraving, drypoint, etching, roulette, mezzotint, and photogravure |
| Hugh Gaitskell as a Famous Monster of Filmland (1963) | 1982 | Collotype and screenprint on paper |
| Hugh Gaitskell as a Famous Monster of Filmland (1963) | 1982 | Collotype and screenprint on paper |
| Hugh Gaitskell as a Famous Monster of Filmland (1963) from Collected Words: de luxe portfolio | 1982 | Collotype and screenprint from a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray |
| I'm dreaming of a black Christmas | 1971 | Screenprint with collage additions |
| I'm dreaming of a white Christmas | 1967 | Screenprint |
| In Horne's House | 1981 | Etching, soft ground etching, lift ground aquatint and engraving |
| In Horne’s house | 1981 | Etching, engraving and aquatint on paper |
| In What Posture? | 1987 | Photogravure |
| In what posture? | 1986 | Heliogravure on paper |
| Interior | 1964 | Screenprint on paper |
| Interior | 1964 | Screenprint |
| Interior II | 1964 | Oil paint, cellulose paint and printed paper on board |
| Interior with monochromes | 1979 | Lithograph and screenprint on paper |
| I’m dreaming of a black Christmas | 1971 | Screenprint and collotype on paper |
| I’m dreaming of a white Christmas | 1967 | Screenprint on paper |
| Just what is it that makes today’s homes so different? | 1992 | Digital print on paper |
| Just what was it that made yesterday's homes so different, so appealing? | 1992 | Digital print on paper |
| Just what was it that made yesterday’s homes so different, so appealing? (upgrade) | 2004 | Digital print on paper |
| Kent State | 1970 | Screenprint on paper |
| Kent State | 1970 | Screenprint |
| La Scala Milano | 1968 | Photo-etching and screenprint on paper |
| La Scala Milano | 1968 | Photoetching and screenprint |
| Leopold Bloom | 1983 | Etching, engraving and aquatint on paper |
| Lobby | 1984 | Collotype and screenprint on paper |
| Marcel Duchamp | 1967 | Lithograph on paper |
| Marconi & Son | 1998 | Digital print on paper |
| Microcosmos: plant cycle | 1950 | Etching, drypoint, engraving and aquatint on paper |
| Mirror image | 1974 | Collotype on paper |
| Motel I | 1979 | Etching and aquatint on paper |
| Motel II | 1979 | Etching and aquatint on paper |
| Mother and child | 1984 | Collotype and screenprint on paper |
| Mother and child - Greenham Common | 1984 | Acrylic and drypoint on paper |
| My Marilyn | 1965 | Screenprint |
| My Marilyn | 1965 | Screenprint on paper |
| Of the tribe of Finn | 1982 | Etching, aquatint and drypoint on paper |
| Out and up | 1951 | Watercolour on paper |
| Palindrome | 1974 | Acrylic and collotype on paper |
| Patricia Knight I | 1982 | Aquatint on paper |
| Patricia Knight II | 1982 | Aquatint on paper |
| Patricia Knight III | 1982 | Aquatint on paper |
| People | 1968 | Photograph, gouache, screenprint and postcard on paper |
| Perspective scheme | 1972 | Screenprint on polyester film |
| Picasso's Meninas from Homage to Picasso (Hommage à Picasso) | 1973 | Etching, aquatint, engraving, and drypoint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts |
| Picasso’s meninas | 1973 | Etching on paper |
| Pin-up | 1961 | Oil, cellulose, and collage on panel |
| Pin-up (1961) | 1982 | Collotype and screenprint on paper |
| Pin-up (1961) from Collected Words: de luxe portfolio | 1982 | Collotype and screenprint from a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray |
| Portrait of Dieter Roth | 1998 | Digital print |
| Portrait of the Artist by Fr. B. by D. R. by R. H. | 1976 | Synthetic polymer paint, oil, crayon, and pencil on printed paper on paperboard |
| Portrait of the Artist by Fr. B. by D. R. by R. H. | 1976 | Pencil on paper Synthetic polymer paint, oil, crayon, and pencil on printed paper on paperboard |
| Portrait of the Artist by Fr. B. by D. R. by R. H. | 1976 | Pencil on paper |
| Putting on de Stijl | 1979 | Collotype and screenprint on paper |
| Radial sections | 1972 | Screenprint on polyester film |
| Readymade Shadows | 2005 | Digital print on paper |
| Reaper (d) | 1949 | Etching and aquatint on paper |
| Reaper (e) | 1949 | Etching and aquatint on paper |
| Reaper (g) | 1949 | Etching and aquatint on paper |
| Reaper (h) | 1949 | Etching and aquatint on paper |
| Reaper (i) | 1949 | Etching and aquatint on paper |
| Reaper (j) | 1949 | Etching and aquatint on paper |
| Refraction | 1952 | Oil paint on plywood |
| Release | 1972 | Screenprint on paper |
| Release | 1972 | Screenprint with collage additions |
| S.M.S. No. 1 | 1968 | Journal with thirteen special edition projects |
| Self-portrait | 1951 | Etching and aquatint on paper |
| Self-portrait (1965) | 1982 | Collotype and screenprint on paper |
| Self-portrait (1965) from Collected Words: de luxe portfolio | 1982 | Collotype and screenprint from a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray |
| Self-portrait in a cracked mirror | 1985 | Etching and aquatint on paper |
| Self-portrait with red | 1998 | Pigment transfer and digital image on paper |
| Self-portrait with yellow | 1998 | Pigment transfer and digital image on paper |
| Soft Pink from The Archives: Art Information Centre Peter Van Beveren | 1981 | Offset lithograph with gouache additions from an artist's book, offset printed with collage, stamp, gouache, pencil, and ink additions |
| Soft blue landscape | 1979 | Collotype and screenprint on paper |
| Soft pink landscape | 1980 | Lithograph and screenprint on paper |
| Stage Proof 1 | 1972 | Screenprint on paper |
| Stage Proof 10 | 1972 | Screenprint on paper |
| Stage Proof 11 | 1972 | Screenprint on paper |
| Stage Proof 12 | 1972 | Screenprint on paper |
| Stage Proof 13 | 1972 | Screenprint on paper |
| Stage Proof 16 | 1972 | Screenprint on paper |
| Stage Proof 17 | 1972 | Screenprint on paper |
| Stage Proof 18 | 1972 | Screenprint on paper |
| Stage Proof 19 | 1972 | Screenprint on paper |
| Stage Proof 2 | 1972 | Screenprint on paper |
| Stage Proof 3 | 1972 | Screenprint on paper |
| Stage Proof 4 | 1972 | Screenprint on paper |
| Stage Proof 5 | 1972 | Screenprint on paper |
| Stage Proof 6 | 1972 | Screenprint on paper |
| Stage Proof 7 | 1972 | Screenprint on paper |
| Stage Proof 8 | 1972 | Screenprint on paper |
| Stage Proof 9 | 1972 | Screenprint on paper |
| Still-life? | 1955 | Engraving on paper |
| Structure | 1950 | Etching and aquatint on paper |
| Study for A dedicated follower of fashion | 1980 | Cut-and-pasted painted paper and cut-and-pasted gelatin silver print with synthetic polymer paint, ink, and pencil on paperboard |
| Study for The Solomon R. Guggenheim | 1965 | Ink and pencil on transparentized paper |
| Sunset (f) | 1975 | Lithograph and chine collé on paper |
| Swingeing London 1967 II | 1968 | Etching and aquatint with collage additions |
| Swingeing London 67 (c) | 1968 | Silkscreen ink and oil on canvas |
| Swingeing London 67 (f) | 1968 | Acrylic paint, screenprint, paper, aluminium and metalised acetate on canvas |
| Swingeing London 67 - poster | 1967 | Lithograph on paper |
| Swingeing London 67 from Situazione (Second series) | 1968 | Photolithograph |
| Swingeing London III | 1972 | Screenprint on paper |
| The Archives: Art Information Centre Peter Van Beveren | 1971 | Artist's book, offset printed with collage, stamp, gouache, pencil, and ink additions |
| The Beatles | 1968 | Two 12-inch vinyl records |
| The Critic Laughs | 1971 | Multiple of electric toothbrush, false teeth, and box |
| The Critic Laughs | 1968 | Laminated offset lithograph and screenprint, with collage and hand additions |
| The Orangeman | 1990 | Lithograph and enamel on paper |
| The Solomon R. Guggenheim | 1965 | Screenprint on paper |
| The Solomon R. Guggenheim | 1965 | Screenprint |
| The Solomon R. Guggenheim (Neapolitan) | 1965 | Fibreglass and cellulose |
| The Solomon R. Guggenheim -- Architect's visual | 1965 | Crayon, pastel, synthetic polymer paint, and ink on paper |
| The Solomon R. Guggenheim Museum | 1966 | Crayon, ink, and pencil on transparentized paper |
| The Solomon R. Guggenheim Museum | 1966 | Oil, crayon, and pencil on paper |
| The Solomon R. Guggenheim Museum | 1966 | Gouache and ink on transparentized paper over synthetic polymer paint on paper |
| The Solomon R. Guggenheim Museum | 1966 | Watercolor and pencil on paper |
| The Transmogrifications of Bloom | 1984 | Etching and aquatint |
| The annunciation | 2005 | Digital print on paper |
| The citizen | 1981 | Oil paint on 2 canvases |
| The heaventree of stars | 1998 | Digital print on paper |
| The marriage | 1998 | Digital print on paper |
| The state | 1993 | Oil paint, enamel paint and fabric on cibachrome on 2 canvases |
| The subject | 1988 | Oil paint on 2 canvases |
| The transmogrifications of Bloom | 1984 | Etching and aquatint on paper |
| Three studies of bloom | 1949 | Etching, gravure and roulette on paper |
| TiT | 2002 | Screenprint on paper |
| Toaster | 1967 | Screenprint, lithograph and polyester on paper |
| Towards a definitive statement on the coming trends in men's wear and accessories (b) (1962) from Collected Words: de luxe portfolio | 1982 | Collotype and screenprint from a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray |
| Towards a definitive statement on the coming trends in men's wear and accessories (c) (1962) from Collected Words: de luxe portfolio | 1982 | Screenprint with aerosol spray from a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray |
| Towards a definitive statement on the coming trends in menswear and accessories (a) Together let us explore the stars | 1962 | Oil paint, cellulose paint and printed paper on wood |
| Towards a definitve statement on the coming trends in men’s wear and accessories (b) (1962) | 1982 | Collotype and screenprint on paper |
| Towards a definitve statement on the coming trends in men’s wear and accessories (c) (1962) | 1982 | Aerosol spray and screenprint on paper |
| Trainsition IIII | 1954 | Oil paint on wood |
| Treads (area) | 1972 | Screenprint on polyester film |
| Treads (line) | 1972 | Screenprint on polyester film |
| Two flower-pieces (with Dieter Roth) | 1974 | Collotype and screenprint on paper |
| Typo/Topography of Marcel Duchamp’s Large Glass | 2003 | 2 digital prints on paper mounted onto aluminium panel |
| Untitled (Design for Collected Words) | 1982 | Colored pencil, pencil, and synthetic polymer paint on cut-and-pasted paper on gelatin silver print |
| Untitled from Five Tyres remoulded | 1971 | Screenprint from a portfolio of seven screenprints, one rubber relief, and one collotype |
| Untitled from Five Tyres remoulded | 1971 | Screenprint from a portfolio of seven screenprints, one rubber relief, and one collotype |
| Untitled from Five Tyres remoulded | 1971 | Screenprint from a portfolio of seven screenprints, one rubber relief, and one collotype |
| Untitled from Five Tyres remoulded | 1971 | Screenprint from a portfolio of seven screenprints, one rubber relief, and one collotype |
| Untitled from Five Tyres remoulded | 1971 | Screenprint from a portfolio of seven screenprints, one rubber relief, and one collotype |
| Untitled from Five Tyres remoulded | 1971 | Rubber relief from a portfolio of seven screenprints, one rubber relief, and one collotype |
| Untitled from Five Tyres remoulded | 1971 | Screenprint from a portfolio of seven screenprints, one rubber relief, and one collotype |
| Untitled from Five Tyres remoulded | 1971 | Screenprint from a portfolio of seven screenprints, one rubber relief, and one collotype |
| Untitled from Five Tyres remoulded | 1971 | Collotype from a portfolio of seven screenprints, one rubber relief, and one collotype |
| Vignette | 1969 | Dye-transfer on paper mounted onto board |
| [no title] | 1972 | Screenprint on polyester film |
| [no title] | 1972 | Relief print on paper |
| ‘AAH!’ in perspective (1963) | 1982 | Collotype, screenprint and ink on paper |
Main subjects
Books written by Richard Hamilton primarily cover the following subjects:
Language
The 14 editions have been published in 1 languages:
| Language | Editions |
|---|---|
| eng | 14 |
Books & Editions
There are 12 books and 14 editions by Richard Hamilton in our database:
Source
Licence
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