David Hockney
Add to my library
Updated: 18 days ago
Classified as:
- Artist
Key facts:
- Birth Date: 1937
- Country: United Kingdom
- Gender: male
- Artworks: 376
News
Here is the latest on David Hockney:
| Title | Source | Date |
|---|---|---|
| 'Britain's greatest living artist' David Hockney vows to carry on painting into his 90s | Mirror | 2023-08-16 |
Timeline
There are 376 artworks by David Hockney created between 1954 and 2007 in our database:
Movements
There are 2 artworks by David Hockney linked to an art movement:
| Movement | Artworks | Distribution % | |
|---|---|---|---|
| British Pop | 2 | 100.00 | |
Media and materials
David Hockney used 101 distinct media and materials:
Collected by
376 artworks by David Hockney are located in the following collections:
| Collection | Artworks | |
|---|---|---|
| Museum of Modern Art (New York) | 248 | |
| Tate Museums | 111 | |
| Rijks | 17 | |
Directory of work
Explore 376 artworks by David Hockney:
| Title | Year | Medium |
|---|---|---|
| 1. The Arrival | 1961.0 | Etching and aquatint on paper |
| 1a. Receiving the Inheritance | 1961.0 | Etching and aquatint on paper |
| 1st Financier 2nd Financier. Costume designs for the play Ubu Roi | 1966.0 | Colored pencil and pencil on paper |
| 1st Noble, Count of Vitepsk and 2nd Noble, Grand Duke of Posen. Costume designs for the play Ubu Roi | 1966.0 | Crayon, pencil, ink, and pinned ribbon on paper |
| 2. Meeting the Good People (Washington) | 1961.0 | Etching and aquatint on paper |
| 2a. The Gospel Singing (Good People) (Madison Square Garden) | 1961.0 | Etching and aquatint on paper |
| 2nd Noble, Grand Duke of Posen?, design for the play Ubu Roi | 1966.0 | Crayon on paper |
| 3. The Start of the Spending Spree and the Door Opening for a Blonde | 1961.0 | Etching and aquatint on paper |
| 3a. The Seven Stone Weakling | 1961.0 | Etching and aquatint on paper |
| 4. The Drinking Scene | 1961.0 | Etching and aquatint on paper |
| 40 Snaps of my House, August 1990 | 1990.0 | Digital print on paper |
| 40 cancelled plates for The Blue Guitar | 1977.0 | |
| 4a. Marries an Old Maid | 1961.0 | Etching and aquatint on paper |
| 4th Noble-Prince of Podolia and Countess of Cracow. Costume designs for the play Ubu Roi | 1966.0 | Crayon and pencil on paper |
| 5. The Election Campaign (with Dark Message) | 1961.0 | Etching and aquatint on paper |
| 5a. Viewing a Prison Scene | 1961.0 | Etching and aquatint on paper |
| 6. Death in Harlem | 1961.0 | Etching and aquatint on paper |
| 6a. The Wallet Begins to Empty | 1961.0 | Etching and aquatint on paper |
| 7. Disintegration | 1961.0 | Etching and aquatint on paper |
| 7a. Cast Aside | 1961.0 | Etching and aquatint on paper |
| 8. Meeting the Other People | 1961.0 | Etching and aquatint on paper |
| 8a. Bedlam | 1961.0 | Etching and aquatint on paper |
| A Bigger Splash | 1967.0 | Acrylic paint on canvas |
| A Black Cat Leaping | 1969.0 | Etching, Aquatint |
| A Moving Still Life from The Blue Guitar | 1976.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| A Picture of Ourselves from The Blue Guitar | 1976.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| A Picture of Two Chairs | 1985.0 | Lithograph on paper |
| A Prince Was Riding | 1969.0 | Etching, Aquatint |
| A Rake's Progress | 1961.0 | Illustrated book with sixteen etching and aquatints |
| A Tune from The Blue Guitar | 1976.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| According to Prescriptions of Ancient Magicians | 1966.0 | Etching on paper |
| According to Prescriptions of Ancient Magicians from Fourteen Poems | 1966.0 | Etching from an illustrated book with 13 etchings (including supplementary print; nine with aquatint) |
| According to the Prescriptions of Ancient Magicians from Fourteen Poems | 1966.0 | Etching from an illustrated book with 12 etchings (eight with aquatint) |
| Album cover for The Who, Face Dances | 1981.0 | Lithograph |
| All the Magistrates. Costume design for the play Ubu Roi | 1966.0 | Pencil, colored crayon, and ribbon pinned to paper |
| All the Sailors design for Ubu Roi | 1966.0 | Crayon and pinned fabric on paper |
| Amaryllis in Vase | 1984.0 | Lithograph on paper |
| An Image of Celia | 1984.0 | Lithograph on paper |
| An Image of Celia Study | 1986.0 | Lithograph on paper |
| An Image of Gregory | 1984.0 | Lithograph with collage additions on two sheets |
| An Image of Gregory | 1984.0 | 2 lithographs on paper |
| An Image of Ken | 1985.0 | Lithograph on paper |
| Battle Machine. Design for the play Ubu Roi | 1966.0 | Crayon and pencil on paper |
| Beautiful and White Flowers | 1966.0 | Etching and aquatint on paper |
| Beautiful and White Flowers from Fourteen Poems | 1966.0 | Etching and aquatint from an illustrated book with 12 etchings (eight with aquatint) |
| Beautiful and White Flowers from Fourteen Poems | 1966.0 | Etching and aquatint from an illustrated book with 13 etchings (including supplementary print; nine with aquatint) |
| Bedlam (plate 8a) from A Rake's Progress | 1961.0 | One from an illustrated book with sixteen etching and aquatints |
| Beverly Hills Interior | 1966.0 | Colored pencil on paper |
| Big Celiaprint #2 | 1981.0 | Lithograph |
| Bigger Trees Near Warter Or/Ou Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique | 2007.0 | Oil paint on 50 canvases and 100 digital prints on paper |
| Billy Wilder | 1976.0 | Lithograph on paper |
| Bob, London | 1964.0 | Graphite, crayon and gouache on paper |
| Boleslas, Ladislas, Bougrelas, design for Ubu Roi | 1966.0 | Colored crayon, pencil, felt-tip pen, and pinned fabric on paper |
| Cancellation proof for A Moving Still Life from The Blue Guitar | 1977.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proof for A Picture of Ourselves from The Blue Guitar | 1977.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proof for A Tune from The Blue Guitar | 1977.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proof for Discord Merely Magnifies from The Blue Guitar | 1977.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proof for Etching is the Subject from The Blue Guitar | 1977.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proof for Figures with Still Life from The Blue Guitar | 1977.0 | Etching and drypoint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proof for Franco-American Mail from The Blue Guitar | 1977.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proof for I Say They Are from The Blue Guitar | 1977.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proof for In a Chiaroscuro from The Blue Guitar | 1977.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proof for It Picks Its Way from The Blue Guitar | 1977.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proof for Made in April from The Blue Guitar | 1977.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proof for On It May Stay His Eye from The Blue Guitar | 1977.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proof for Parade from The Blue Guitar | 1977.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proof for Serenade from The Blue Guitar | 1977.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proof for The Blue Guitar from The Blue Guitar | 1977.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proof for The Buzzing of the Blue Guitar from The Blue Guitar | 1977.0 | Etching from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proof for The Old Guitarist from The Blue Guitar | 1977.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proof for The Poet from The Blue Guitar | 1977.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proof for Tick It, Tock It, Turn It True from The Blue Guitar | 1977.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proof for What Is This Picasso? from The Blue Guitar | 1977.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Cancellation proofs for The Blue Guitar | 1977.0 | Portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Capt. Bordure. Costume design for the play Ubu Roi | 1966.0 | Colored crayon, pencil, and ribbon pinned to paper |
| Captain Bordure in prison and Bodyguard (crossed out). Costume designs for the play Ubu Roi | 1966.0 | Crayon, pencil and ink on paper |
| Caribbean Tea Time | 1987.0 | Lithograph, screenprint, printed paper and stencil on paper on 4 panels |
| Caribbean Tea Time | 1987.0 | Lithograph, screenprint, collage, and stencil on folding screen |
| Cast Aside (plate 7a) from A Rake's Progress | 1961.0 | One from an illustrated book with sixteen etching and aquatints |
| Catherina Dorothea Viehmann (frontispiece) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Cave, design for Ubu Roi | 1966.0 | Crayon and pencil on paper |
| Cave-Blue, design for Ubu Roi | 1966.0 | Pencil and crayon on paper and cellophane over cardboard |
| Cecil Hotel | 1963.0 | Crayon, colored pencil, and pencil on paper |
| Celia | 1969.0 | Etching and aquatint on paper |
| Celia | 1973.0 | Lithograph on paper |
| Celia (La Bergère) from Eight Lithographs to Benefit the Foundation for Contemporary Performance Arts, Inc. | 1981.0 | One from a portfolio of eight lithographs |
| Celia Smoking | 1973.0 | Lithograph |
| Celia with Green Hat | 1984.0 | Lithograph on paper |
| Cleanliness Is Next to Godliness from The Institute of Contemporary Arts Portfolio | 1964.0 | Screenprint |
| Cleanliness is Next to Godliness | 1964.0 | Screenprint on paper |
| Clerk ?, design for the play Ubu Roi | 1966.0 | Crayon and pencil on paper |
| Colophon from A Hollywood Collection | 1965.0 | Offset lithograph from a portfolio of six lithographs and two offset lithographs (including title page and colophon) |
| Connoisseur | 1969.0 | Lithograph on paper |
| Crypt, design for Ubu Roi | 1966.0 | Crayon, watercolor, and stencilled crayon on paper and cellophane over cardboard |
| Czar | 1966.0 | Ink and crayon on paper |
| Death in Harlem (plate 6) from A Rake's Progress | 1961.0 | One from an illustrated book with sixteen etching and aquatints |
| Deux (Second Part) | 1991.0 | Lithograph on paper |
| Deux (Second Part) | 1991.0 | Lithograph on paper |
| Discord Merely Magnifies from The Blue Guitar | 1976.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Disintegration (plate 7) from A Rake's Progress | 1961.0 | One from an illustrated book with sixteen etching and aquatints |
| Drawing for Ubu Roi, Cave Scene | 1966.0 | Crayon on paper |
| Drawing for ‘Glass Table with Objects’ | 1969.0 | Graphite, crayon and gouache on paper |
| Edward Lear | 1964.0 | Etching and aquatint |
| Eight Lithographs to Benefit the Foundation for Contemporary Performance Arts, Inc. | 1981.0 | Portfolio of eight lithographs |
| Eine (Part 1) | 1991.0 | Lithograph on paper |
| Eine (Part I) | 1991.0 | Lithograph on paper |
| Etching is the Subject from The Blue Guitar | 1976.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| FUNDEVOGEL: THE LAKE, plate 11 (suite, plate 1) from SIX FAIRY TALES | 1969.0 | Etching and aquatint, printed in black |
| Figures with Still Life from The Blue Guitar | 1976.0 | Etching and drypoint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Flames. Design for the play Ubu Roi | 1966.0 | Crayon and pencil on paper |
| For John Constable | 1976.0 | Intaglio print on paper |
| Four Flowers in Still Life | 1990.0 | Lithograph on paper |
| Fourteen Poems | 1966.0 | Illustrated book with 12 etchings (eight with aquatint) |
| Fourteen Poems | 1966.0 | Illustrated book with 13 etchings (including supplementary print; nine with aquatint) |
| Franco-American Mail from The Blue Guitar | 1976.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Fundevogel: A Wooded Landscape (plate, folio 12) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Fundevogel: The Church Tower and the Clock (in-text plate, folio 17) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Fundevogel: The Cook (in-text plate, folio 14) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Fundevogel: The Lake (plate, folio 19) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Fundevogel: The Pot Boiling (in-text plate, folio 15) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Fundevogel: The Rose and the Rose Stalk (in-text plate, folio 16) from Six Fairy Tales | 1969.0 | Etching from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Grion design for Ubu Roi | 1966.0 | Pencil, colored crayon, felt-tip pen and pinned fabric on paper |
| He Enquired After the Quality | 1966.0 | Etching and aquatint on paper |
| He Enquired After the Quality from Fourteen Poems | 1966.0 | Etching and aquatint from an illustrated book with 12 etchings (eight with aquatint) |
| He Enquired After the Quality from Fourteen Poems | 1966.0 | Etching and aquatint from an illustrated book with 13 etchings (including supplementary print; nine with aquatint) |
| Henry Avoiding the Sun | 1975.0 | Chromogenic print |
| Henry at the Table from the series Friends | 1976.0 | Lithograph |
| Home | 1969.0 | Etching |
| Hotel Acatlan: First Day | 1984.0 | Lithograph on paper |
| Hotel Acatlan: Second Day | 1984.0 | Lithograph on paper |
| Hotel Acatlan: Two Weeks Later | 1985.0 | Lithograph on paper |
| House Doodle | 1984.0 | Etching on paper |
| House, design for Ubu Roi | 1966.0 | Crayon and pencil on paper |
| I Say They Are from The Blue Guitar | 1976.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| In Despair | 1966.0 | Etching on paper |
| In Despair from Fourteen Poems | 1966.0 | Etching from an illustrated book with 12 etchings (eight with aquatint) |
| In Despair from Fourteen Poems | 1966.0 | Etching from an illustrated book with 13 etchings (including supplementary print; nine with aquatint) |
| In a Chiaroscuro from The Blue Guitar | 1976.0 | This plate has been missing since 1981 |
| In an Old Book | 1966.0 | Etching on paper |
| In an Old Book from Fourteen Poems | 1966.0 | Etching from an illustrated book with 12 etchings (eight with aquatint) |
| In an Old Book from Fourteen Poems | 1966.0 | Etching from an illustrated book with 13 etchings (including supplementary print; nine with aquatint) |
| In the Dull Village | 1966.0 | Etching and aquatint on paper |
| In the Dull Village from Fourteen Poems | 1966.0 | Etching from an illustrated book with 13 etchings (including supplementary print; nine with aquatint) |
| In the Dull Village from Fourteen Poems | 1966.0 | Etching from an illustrated book with 12 etchings (eight with aquatint) |
| Inside the Castle | ||
| It Picks Its Way fromThe Blue Guitar | 1976.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Jarry: Ubu Roi | 1966.0 | see individual object records |
| Jarry: Ubu Roi | 1966.0 | |
| John Hockney | 1980.0 | Lithograph |
| Jungle Boy | 1964.0 | Etching and aquatint |
| Jungle Boy | 1964.0 | Etching and aquatint |
| Kaisarion and All his Beauty | 1961.0 | Etching on paper |
| Kaisarion with All His Beauty | 1961.0 | Etching and aquatint |
| Kerby (After Hogarth) Useful Knowledge | 1975.0 | Oil on canvas |
| Lillies | 1970.0 | Lithograph on paper |
| Lithograph of Water Made of Lines | 1978.0 | Lithograph |
| Lithograph of Water Made of Lines and a Green Wash | 1978.0 | Lithograph |
| Lithograph of Water Made of Lines, a Green Wash, and a Light Blue Wash | 1978.0 | Lithograph |
| Lithograph of Water Made of Thick and Thin Lines, a Green Wash, a Light Blue Wash, and a Dark Blue Wash | 1978.0 | Lithograph |
| Lithographic Water Made of Lines, Crayon and Two Blue Washes Without Green Wash | 1978.0 | Lithograph on paper |
| Made in April from The Blue Guitar | 1976.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Man in Shower in Beverly Hills | 1964.0 | Acrylic paint on canvas |
| Marries an Old Maid (plate 4a) from A Rake's Progress | 1961.0 | One from an illustrated book with sixteen etching and aquatints |
| Maurice | 1998.0 | Etching and aquatint |
| Meeting the Good People (Washington) (plate 2) from A Rake's Progress | 1961.0 | One from an illustrated book with sixteen etching and aquatints |
| Meeting the Other People (plate 8) from A Rake's Progress | 1961.0 | One from an illustrated book with sixteen etching and aquatints |
| Mere Ubu's Hat. Costume design for the play Ubu Roi | 1966.0 | Crayon, pencil,and ink on paper |
| Messengers. Costume designs for the play Ubu Roi | 1966.0 | Crayon, pencil, and pinned fabric on paper |
| Mexican Hotel, Acatlan | 1984.0 | Etching on paper |
| Michael Federovitch design for Ubu Roi | 1966.0 | Colored crayon, pencil and pinned fabric on paper |
| Mirror, Mirror on the Wall | 1961.0 | Etching and aquatint on paper |
| Mise-en-scène for the opera The Rake's Progress | 1975.0 | Ink, felt-tip pen, and cut-and-pasted printed paper on paper |
| Mo with Five Leaves | 1971.0 | Intaglio print on paper |
| Mr + Mrs Ubu. Costume designs for the play Ubu Roi | 1966.0 | Colored pencil and pencil on paper |
| Mr and Mrs Clark and Percy | 1970.0 | Acrylic paint on canvas |
| My Bonnie Lies Over the Ocean | 1961.0 | Etching, aquatint and stamp on paper |
| My Parents | 1977.0 | Oil paint on canvas |
| Myself and My Heroes | 1961.0 | Etching and aquatint |
| Myself and my Heroes | 1961.0 | Etching and aquatint on paper |
| Number One Chair | 1985.0 | Lithograph on paper |
| OLD RINKRANK: THE PRINCESS AFTER MANY YEARS IN THE GLASS MOUNTAIN, OR THE RESCUED PRINCESS, plate 33 (suite, plate 6) from SIX FAIRY TALES | 1969.0 | Etching and aquatint, printed in black |
| Old Rinkrank: Digging Up Glass (in-text plate, folio 47) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Old Rinkrank: Old Rinkrank Threatens the Princess (in-text plate, folio 46) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Old Rinkrank: The Glass Mountain (plate, folio 44) from Six Fairy Tales | 1969.0 | Etching and soft ground etching from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Old Rinkrank: The Glass Mountain Shattered (in-text plate, folio 48) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Old Rinkrank: The Princess After Many Years in the Glass Mountain, or the Rescued Princess (plate, folio 49) from Six Fairy Tales | 1969.0 | Etching and soft ground etching from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| On It May Stay His Eye from The Blue Guitar | 1976.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| One Night | 1966.0 | Etching and aquatint on paper |
| One Night from Fourteen Poems | 1966.0 | Etching and aquatint from an illustrated book with 13 etchings (including supplementary print; nine with aquatint) |
| One Night from Fourteen Poems | 1966.0 | Etching and aquatint from an illustrated book with 12 etchings (eight with aquatint) |
| Pacific Mutual Life | 1964.0 | Lithograph on paper |
| Pacific Mutual Life | 1964.0 | Lithograph |
| Page of Sketches. Designs for the play Ubu Roi | 1966.0 | Ink and crayon on paper |
| Palace Photographer. Costume design for the play Ubu Roi | 1966.0 | Colored crayon, colored pencil, and on fabric pinned to paper |
| Panama Hat from Prints for Phoenix House | 1972.0 | Etching and aquatint from a portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint |
| Panama Hat with a Bow Tie on a Chair from The Geldzahler Portfolio | 1998.0 | Etching and aquatint from a portfolio of three lithographs, two etchings (one with aquatint), two screenprints, one digital print, one offset lithograph, one solar plate intaglio, and one video transfer |
| Parade from The Blue Guitar | 1976.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Patrick Procktor in New York | 1966.0 | Ink on paper |
| Pembroke Studio Interior | 1984.0 | Lithograph on paper |
| Pembroke Studio with Blue Chairs and Lamp | 1984.0 | Lithograph on paper |
| Phynancial Conveyance, Rock and Flames. Designs for the play Ubu Roi | 1966.0 | Crayon and pencil on paper |
| Phynancial Conveyance. Design for the play Ubu Roi | 1966.0 | Colored pencil, pencil, and transfer type on paper |
| Phynancial Horse. Design for the play Ubu Roi | 1966.0 | Crayon and pencil on paper |
| Phynancial Horse. Design for the play Ubu Roi | 1966.0 | Crayon, pencil and ink on paper |
| Picture of Melrose Avenue in an Ornate Gold Frame from A Hollywood Collection | 1965.0 | Lithograph from a portfolio of six lithographs and two offset lithographs (including title page and colophon) |
| Picture of a Landscape in an Elaborate Gold Frame from A Hollywood Collection | 1965.0 | Lithograph from a portfolio of six lithographs and two offset lithographs (including title page and colophon) |
| Picture of a Pointless Abstraction Framed under Glass from A Hollywood Collection | 1965.0 | Lithograph from a portfolio of six lithographs and two offset lithographs (including title page and colophon) |
| Picture of a Portrait in a Silver Frame from A Hollywood Collection | 1965.0 | Lithograph from a portfolio of six lithographs and two offset lithographs (including title page and colophon) |
| Picture of a Simple Framed Traditional Nude Drawing from A Hollywood Collection | 1965.0 | Lithograph from a portfolio of six lithographs and two offset lithographs (including title page and colophon) |
| Picture of a Still Life that has an Elaborate Silver Frame from A Hollywood Collection | 1965.0 | Lithograph from a portfolio of six lithographs and two offset lithographs (including title page and colophon) |
| Plate for Edward Lear | 1964.0 | Zinc plate |
| Plate for Jungle Boy | 1964.0 | Zinc plate |
| Polish Soldiers. Costume designs for the play Ubu Roi | 1966.0 | Crayon, pencil, and pinned fabric on paper |
| Portrait | 1966.0 | Pencil on paper |
| Portrait of Cavafy II | 1966.0 | Etching and aquatint on paper |
| Portrait of Cavafy II from Fourteen Poems | 1966.0 | Etching and aquatint from an illustrated book with 13 etchings (including supplementary print; nine with aquatint) |
| Portrait of Cavafy in Alexandria | 1966.0 | Etching and aquatint on paper |
| Portrait of Cavafy in Alexandria from Fourteen Poems | 1966.0 | Etching and aquatint from an illustrated book with 12 etchings (eight with aquatint) |
| Portrait of Cavafy in Alexandria from Fourteen Poems | 1966.0 | Etching and aquatint from an illustrated book with 13 etchings (including supplementary print; nine with aquatint) |
| Portrait of Kasmin (Figure by a Curtain) | 1964.0 | Lithograph with screenprint additions |
| Portrait of Mother I | 1985.0 | Lithograph on paper |
| Portrait of Mother II | 1985.0 | Lithograph on paper |
| Portrait of Mother III | 1985.0 | Lithograph on paper |
| Portrait of Peter | 1966.0 | Ink on paper |
| Portrait of the Artist’s Mother, Mrs Laura Hockney, Bradford | 1972.0 | Ink on paper |
| Princess of Podolia. Costume design for the play Ubu Roi | 1966.0 | Crayon, pencil and pinned fabric on paper |
| Prints for Phoenix House | 1972.0 | Portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint |
| Père Ubu. Costume design for the play Ubu Roi | 1966.0 | Colored pencil, pencil, ink, and fabric pinned on paper |
| Père Ubu: Polish Army | 1966.0 | Crayon, pencil and metallic paint on paper |
| Queen | 1961.0 | Etching and aquatint on paper |
| RAPUNZEL: THE OLDER RAPUNZEL, plate 15 (suite, plate 2) from SIX FAIRY TALES | 1969.0 | Etching and aquatint, printed in black |
| RENCONTRES from the portfolio SUITES, no. 8 | 1964.0 | Lithograph |
| Rampant | 1991.0 | Lithograph on paper |
| Rampant | 1991.0 | Lithograph on paper |
| Rapunzel Growing in the Garden | 1969.0 | Etching, Aquatint |
| Rapunzel: Rapunzel Growing in the Garden (plate, folio 20) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Rapunzel: Rapunzel, Rapunzel, Let Down Your Hair (in-text plate, folio 26) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Rapunzel: The Enchantress in Her Garden (in-text plate, folio 22) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Rapunzel: The Enchantress with the Baby Rapunzel (in-text plate, folio 23) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Rapunzel: The Older Rapunzel(in-text plate, folio 24) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Rapunzel: The Tower Had One Window (in-text plate, folio 25) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Ready Cleaners | 1966.0 | Pencil and colored pencil on paper |
| Receiving the Inheritance (plate 1a) from A Rake's Progress | 1961.0 | One from an illustrated book with sixteen etching and aquatints |
| Red Celia | 1984.0 | Lithograph on paper |
| Royal Palace (a), design for the play Ubu Roi | 1966.0 | Colored pencil, pencil, and gouache on cardboard |
| Royal Palace (b), design for Ubu Roi | 1966.0 | Metallic crayon and crayon on folded and cut-out cardboard |
| Royal Palace. Design for the play Ubu Roi | 1966.0 | Pencil, metallic crayon, crayon, and ink on paper |
| Rumpelstilzchen: A Room Full of Straw (in-text plate, folio 52) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Rumpelstilzchen: Gold (plate, folio 50) from Six Fairy Tales | 1969.0 | Etching from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Rumpelstilzchen: He Tore Himself in Two (plate, folio 57) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Rumpelstilzchen: Pleading for the Child (in-text plate, folio 54) from Six Fairy Tales | 1969.0 | Etching from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Rumpelstilzchen: Riding Around on a Cooking Spoon (in-text plate, folio 55) from Six Fairy Tales | 1969.0 | Etching, aquatint, and drypoint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Rumpelstilzchen: Straw on the Left, Gold on the Right (in-text plate, folio 53) from Six Fairy Tales | 1969.0 | Etching and soft ground etching from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| Russian Priest. Costume design for the play Ubu Roi | 1966.0 | Crayon, pencil, and fabric pinned on paper |
| Russian Royal Palace, design for Ubu Roi | 1966.0 | Metallic crayon and crayon on cut-out cardboard |
| SUITES, no. 8 | 1964.0 | Portfolio of 6 lithographs |
| Sarajevo 1984 Winter Olympics | 1983.0 | Lithograph |
| Seated Woman Being Served Tea by Standing Companion | 1963.0 | Oil on canvas |
| Self-Portrait | 1962.0 | Etching and aquatint on paper |
| Serenade from The Blue Guitar | 1976.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Six Fairy Tales | 1969.0 | |
| Six Fairy Tales | 1970.0 | Illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) and 6 unbound etchings |
| Snowy Landscape and Flat Rock. Designs for the play Ubu Roi | 1966.0 | Crayon, pencil, and colored pencil on paper |
| Stephen Spender, Mas Saint-Jerome | 1985.0 | Chromogenic color prints |
| Study for Doll Boy | 1960.0 | Oil paint on canvas |
| Study for Dollboy | 1960.0 | Chalk on paper |
| Study for ‘Mr and Mrs Clark and Percy’ | 1970.0 | Coloured pencil on paper |
| Study for ‘Mr and Mrs Clark and Percy’ | 1970.0 | Graphite on paper |
| Study for ‘Mr and Mrs Clark and Percy’ | 1970.0 | Graphite on paper |
| Study of Lightning | 1973.0 | Lithograph |
| THE BOY WHO LEFT HOME TO LEARN FEAR: CORPSES ON FIRE, plate 22 (suite, plate 5) from SIX FAIRY TALES | 1969.0 | Etching, aquatint, and drypoint, printed in black |
| THE BOY WHO LEFT HOME TO LEARN FEAR: HOME, plate 18 (suite, plate 3) from SIX FAIRY TALES | 1969.0 | Etching, printed in black |
| THE BOY WHO LEFT HOME TO LEARN FEAR: THE BELL TOWER, plate 19 (suite, plate 4) from SIX FAIRY TALES | 1969.0 | Etching and aquatint, printed in black |
| Table Flowable | 1991.0 | Lithograph on paper |
| Tea Painting in an Illusionistic Style | 1961.0 | Oil paint on canvas |
| The Arrival (plate 1) from A Rake's Progress | 1961.0 | One from an illustrated book with sixteen etching and aquatints |
| The Beginning | 1966.0 | Etching and aquatint on paper |
| The Beginning from Fourteen Poems | 1966.0 | Etching and aquatint from an illustrated book with 12 etchings (eight with aquatint) |
| The Beginning from Fourteen Poems | 1966.0 | Etching and aquatint from an illustrated book with 13 etchings (including supplementary print; nine with aquatint) |
| The Bell Tower | 1969.0 | Etching |
| The Berliner and the Bavarian | 1962.0 | Oil paint on canvas |
| The Blue Guitar | 1976.0 | Portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| The Blue Guitar from The Blue Guitar | 1976.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| The Boy Who Left Home to Learn Fear: A Black Cat Leaping (in-text plate, folio 39) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| The Boy Who Left Home to Learn Fear: Cold Water About to Hit the Prince (plate, folio 43) from Six Fairy Tales | 1969.0 | Etching, aquatint, and lift ground aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| The Boy Who Left Home to Learn Fear: Corpses on Fire (in-text plate, folio 34) from Six Fairy Tales | 1969.0 | Etching, aquatint, and drypoint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| The Boy Who Left Home to Learn Fear: Home (plate, folio 28) from Six Fairy Tales | 1969.0 | Etching from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| The Boy Who Left Home to Learn Fear: Inside the Castle (in-text plate, folio 41) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| The Boy Who Left Home to Learn Fear: The Bell Tower (in-text plate, folio 30) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| The Boy Who Left Home to Learn Fear: The Carpenter's Bench, a Knife and Fire (in-text plate, folio 38) from Six Fairy Tales | 1969.0 | Etching, aquatint, and drypoint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| The Boy Who Left Home to Learn Fear: The Haunted Castle (plate, folio 37) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| The Boy Who Left Home to Learn Fear: The Lathe and Fire (in-text plate, folio 40) from Six Fairy Tales | 1969.0 | Etching, aquatint, and drypoint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| The Boy Who Left Home to Learn Fear: The Sexton Disguised as a Ghost (in-text plate, folio 31) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| The Boy Who Left Home to Learn Fear: The Sexton Disguised as a Ghost Stood Still as Stone (plate, folio 33) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| The Buzzing of the Blue Guitar from The Blue Guitar | 1976.0 | Etching from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| The Carpenter's Bench on Fire | 1969.0 | Drypoint, Etching, Aquatint |
| The Castle Tower | 1969.0 | Etching |
| The Church Tower with its Clock | 1969.0 | Etching, Aquatint |
| The Drinking Scene (plate 4) from A Rake's Progress | 1961.0 | One from an illustrated book with sixteen etching and aquatints |
| The Egg | 1969.0 | Etching, Aquatint |
| The Election Campaign (with Dark Message) (plate 5) from A Rake's Progress | 1961.0 | One from an illustrated book with sixteen etching and aquatints |
| The First Marriage (A Marriage of Styles I) | 1962.0 | Oil paint on canvas |
| The Fish | 1969.0 | Etching, Aquatint |
| The Geldzahler Portfolio | 1997.0 | Portfolio of three lithographs, two etchings (one with aquatint), two screenprints, one digital print, one offset lithograph, one solar plate intaglio, and one video transfer |
| The Glass Mountain Shattered | 1969.0 | Etching, Aquatint |
| The Gospel Singing (Good People) (Madison Square Garden) (plate 2a) from A Rake's Progress | 1961.0 | One from an illustrated book with sixteen etching and aquatints |
| The Hypnotist | 1963.0 | Etching and aquatint |
| The Lake | 1969.0 | Etching, Aquatint |
| The Lathe on Fire | 1969.0 | Etching, Aquatint |
| The Little Sea Hare: The Boy Hidden in a Fish (in-text plate, folio 9) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| The Little Sea Hare: The Boy Hidden in an Egg (in-text plate, folio 8) from Six Fairy Tales | 1969.0 | Etching, aquatint, and drypoint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| The Little Sea Hare: The Princess Searching (in-text plate, folio 11) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| The Little Sea Hare: The Princess in Her Tower (plate, folio 6) from Six Fairy Tales | 1969.0 | Etching and aquatint from an illustrated book with thirty-nine etchings (twenty-six with aquatint and five with drypoint and aquatint) |
| The Marriage | 1962.0 | Etching and aquatint |
| The Marriage in Hawaii of David and Ann | 1983.0 | Etching on paper |
| The New and the Old and the New | 1991.0 | Lithograph on paper |
| The New and the Old and the New | 1991.0 | Lithograph on paper |
| The Old Guitarist from The Blue Guitar | 1976.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| The Perspective Lesson | 1984.0 | Lithograph on paper |
| The Poet from The Blue Guitar | 1976.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| The Princess Searching | 1969.0 | |
| The Print Collector (Portrait of Felix Man) | 1969.0 | Lithograph on paper |
| The Seven Stone Weakling (plate 3a) from A Rake's Progress | 1961.0 | One from an illustrated book with sixteen etching and aquatints |
| The Sexton as a Ghost | 1969.0 | |
| The Shop Window of a Tobacco Store | 1966.0 | Etching and aquatint on paper |
| The Shop Window of a Tobacco Store from Fourteen Poems | 1966.0 | Etching and aquatint from an illustrated book with 12 etchings (eight with aquatint) |
| The Shop Window of a Tobacco Store from Fourteen Poems | 1966.0 | Etching and aquatint from an illustrated book with 13 etchings (including supplementary print; nine with aquatint) |
| The Start of the Spending Spree and the Door Opening for a Blonde (plate 3) from A Rake's Progress | 1961.0 | One from an illustrated book with sixteen etching and aquatints |
| The Student from Homage to Picasso (Hommage à Picasso) | 1973.0 | Aquatint and etching from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts |
| The Third Love Painting | 1960.0 | Oil paint on hardboard |
| The Wallet Begins to Empty (plate 6a) from A Rake's Progress | 1961.0 | One from an illustrated book with sixteen etching and aquatints |
| The Wave, A Lithograph | 1990.0 | Lithograph on paper |
| Tick It, Tock It, Turn It True from The Blue Guitar | 1976.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| Title page from A Hollywood Collection | 1965.0 | Offset lithograph from a portfolio of six lithographs and two offset lithographs (including title page and colophon) |
| To Remain | 1966.0 | Etching and aquatint on paper |
| To Remain from Fourteen Poems | 1966.0 | Etching and aquatint from an illustrated book with 13 etchings (including supplementary print; nine with aquatint) |
| To Remain from Fourteen Poems | 1966.0 | Etching and aquatint from an illustrated book with 12 etchings (eight with aquatint) |
| Très (End of Triple) | 1990.0 | Lithograph on paper |
| Très (End of Triple) | 1991.0 | Lithograph on paper |
| Tulips, Powis Terrace | 1975.0 | Chromogenic print |
| Twelve Fifteen | 1991.0 | Lithograph on paper |
| Two Boys Aged 23 or 24 | 1966.0 | Etching and aquatint on paper |
| Two Boys Aged 23 or 24 from Fourteen Poems | 1966.0 | Etching and aquatint from an illustrated book with 12 etchings (eight with aquatint) |
| Two Boys Aged 23 or 24 from Fourteen Poems | 1966.0 | Etching and aquatint from an illustrated book with 13 etchings (including supplementary print; nine with aquatint) |
| Two Pembroke Studio Chairs | 1984.0 | Lithograph on paper |
| Tyler Dining Room | 1984.0 | Lithograph on paper |
| Ubu Roi, Cave Scene | 1966.0 | Pencil and crayon on paper |
| Ubu's Cloak. Costume design for the play Ubu Roi | 1966.0 | Ink, pencil and colored crayon on paper |
| Ubu's Closet, design for Ubu Roi | 1966.0 | Crayon, watercolor, and pencil on paper and cellophane over board |
| Ubu's Closet, design for Ubu Roi | 1966.0 | Crayon and pencil on paper |
| Ubu's Horse. Design for the play Ubu Roi | 1966.0 | Ink on paper |
| Untitled | 1975.0 | Chromogenic print |
| Untitled from the portfolio SUITES, no. 8 | 1964.0 | Lithograph |
| Untitled from the portfolio SUITES, no. 8 | 1964.0 | Lithograph |
| Untitled from the portfolio SUITES, no. 8 | 1964.0 | Lithograph |
| Untitled from the portfolio SUITES, no. 8 | 1964.0 | Lithograph |
| Untitled from the portfolio Suites, no. 8 | 1964.0 | Lithograph |
| Untitled, design for Ubu Roi | 1966.0 | Crayon on paper on board |
| Ur Curtain. Set design for the play Ubu Roi | 1966.0 | Crayon and pencil on paper |
| Vase and Flowers | 1969.0 | Etching and aquatint on paper |
| Very Ordinary Sea Captain's Outfit, design for the play Ubu Roi | 1966.0 | Crayon, pencil and ink on paper |
| Viewing a Prison Scene (plate 5a) from A Rake's Progress | 1961.0 | One from an illustrated book with sixteen etching and aquatints |
| Views of Hotel Well I | 1984.0 | Lithograph on paper |
| Views of Hotel Well III | 1984.0 | Lithograph on paper |
| Views of Hotel Well III | 1984.0 | Lithograph |
| Walking Past Two Chairs | 1984.0 | Lithograph on paper |
| Water Pouring into Swimming Pool, Santa Monica | 1964.0 | Lithograph |
| Water Pouring into Swimming Pool, Santa Monica | 1964.0 | Lithograph on paper |
| Wayne Sleep | 1971.0 | Ink on paper |
| What Is This Picasso? from The Blue Guitar | 1976.0 | Etching and aquatint from a portfolio of twenty etchings (eighteen with aquatint and one with drypoint) |
| White Lines Dancing in Printing Ink | 1990.0 | Lithograph on paper |
| White Lines Dancing in Printing Ink | 1991.0 | Lithograph on paper |
| White Porcelain | 1985.0 | Lithograph on paper |
| Woman with a Sewing Machine | 1954.0 | Lithograph on paper |
| Woman, Man. Costume designs for the play Ubu Roi | 1966.0 | Pencil, crayon, ink, and colored pencil on paper |
| Zanzibar with Postcards, Sea, Tiresias and Husbands. Mise-en-scène for the opera Les Mamelles de Tirésias | 1979.0 | Crayon on paper |
Source
Licence
Going further
✕