R.B. Kitaj
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Updated: 18 days ago
Classified as:
- Artist
Key facts:
- Life: 1932 - 2007
- Country: United States
- Gender: male
- Artworks: 292
Timeline
There are 292 artworks by R.B. Kitaj created between 1958 and 2007 in our database:
Movements
There are 322 artworks by R.B. Kitaj linked to an art movement:
| Movement | Artworks | Distribution % | |
|---|---|---|---|
| School of London | 171 | 53.11 | |
| British Pop | 149 | 46.27 | |
| British Constructivism | 1 | 0.31 | |
| Pop Art | 1 | 0.31 | |
Media and materials
R.B. Kitaj used 38 distinct media and materials:
Collected by
292 artworks by R.B. Kitaj are located in the following collections:
| Collection | Artworks | |
|---|---|---|
| Tate Museums | 179 | |
| Museum of Modern Art (New York) | 113 | |
Directory of work
Explore 292 artworks by R.B. Kitaj:
| Title | Year | Medium |
|---|---|---|
| (1) The Tower | 1969 | Screenprint on paper |
| (10) Songs of a Sourdough | 1969 | Screenprint on paper |
| (11) Zeppelin Nights | 1969 | Screenprint on paper |
| (12) Max and the White Phagocytes | 1969 | Screenprint on paper |
| (13) Edward Weston | 1969 | Screenprint on paper |
| (14) The Conga and other Poems | 1969 | Screenprint on paper |
| (15) O’Neill | 1969 | Screenprint on paper |
| (16) China of Today | 1969 | Screenprint on paper |
| (17) Coming of Age in Samoa | 1969 | Screenprint on paper |
| (18) Towards a Better Life | 1969 | Screenprint on paper |
| (19) Edward Hopper | 1969 | Screenprint on paper |
| (2) How to Read | 1969 | Screenprint on paper |
| (20) Marlborough (Mark Rothko) | 1969 | Screenprint on paper |
| (21) Photo-Eye (El Lissitzsky) | 1969 | Screenprint on paper |
| (22) Reklame durch das Schaufenster | 1969 | Screenprint on paper |
| (23) Benia Krik | 1969 | Screenprint on paper |
| (24) Articles and Pamphlets | 1969 | Screenprint on paper |
| (25) The Defence of Terrorism | 1969 | Screenprint on paper |
| (26) Deliverance from Russia | 1969 | Screenprint on paper |
| (27) Kampflieder - Battle Songs - Canzoni di Guerra | 1969 | Screenprint on paper |
| (28) Wir haben es nicht vergessen - Nous n’avons pas oublié - We Have Not Forgotten | 1969 | Screenprint on paper |
| (29) The Jewish Question | 1969 | Screenprint on paper |
| (3) Four in America | 1969 | Screenprint on paper |
| (30) Albyn | 1969 | Screenprint on paper |
| (31) Plague | 1969 | Screenprint on paper |
| (32) The Prevention of Destitution | 1969 | Screenprint on paper |
| (33) Hollywood, wie es wirklich ist | 1969 | Screenprint on paper |
| (34) Vampyr | 1969 | Screenprint on paper |
| (35) La Lucha del Pueblo Espanol por La Libertad | 1969 | Screenprint on paper |
| (36) With Scott to the Pole | 1969 | Screenprint on paper |
| (37) Menschen der Zeit | 1969 | Screenprint on paper |
| (38) Permit me Voyage | 1969 | Screenprint on paper |
| (39) Intelligence Bulletin | 1969 | Screenprint on paper |
| (4) The Caliph’s Design | 1969 | Screenprint on paper |
| (40) Final - City of Burbank, California, Annual Budget 1968-69 | 1969 | Screenprint on paper |
| (41) Low gehrig | 1969 | Screenprint on paper |
| (42) Industrial Camoflage Manual | 1969 | Screenprint on paper |
| (43) The Pursuit of the House Prat | 1969 | Screenprint on paper |
| (44) Fighting the Traffic in Young Girls | 1969 | Screenprint on paper |
| (45) Bub and Sis | 1969 | Screenprint on paper |
| (46) Workers in the Dawn | 1969 | Screenprint on paper |
| (47) Hanging in Chains | 1969 | Screenprint on paper |
| (48) The Wording of Police Charges | 1969 | Screenprint on paper |
| (49) Short Takes | 1969 | Screenprint on paper |
| (5) Transition | 1969 | Screenprint on paper |
| (50) London by Night - Life and Art in Photograph: No. Four | 1969 | Screenprint on paper |
| (51) The People of the Abyss | 1969 | Screenprint on paper |
| (6) Partisan Review | 1969 | Screenprint on paper |
| (7) Der Russiche Revolutionsfilm | 1969 | Screenprint on paper |
| (8) Die Donau | 1969 | Screenprint on paper |
| (9) The Bronxville Portfolio | 1969 | Screenprint on paper |
| A Day Book | 1972 | Nine screenprints (including wrapper), four photogravures with screenprint and/or aquatint, one lithograph and screenprinted ornament on title page |
| Abraham’s God (After Rembrandt) | 2005 | Oil paint and charcoal on canvas |
| Acheson Go Home | 1964 | Screenprint |
| Acheson Go Home | 1963 | Screenprint on paper |
| Addled Art Minor Works Volume VI | 1975 | Screenprint on paper |
| Addled Art Minor Works Volume VI [state 1] | 1975 | Screenprint on paper |
| Addled Art Minor Works Volume VI [state 2] | 1975 | Screenprint on paper |
| Album cover for The Who, Face Dances | 1981 | Lithograph |
| Albyn from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Americans Abroad; Biggar, Lanarkshire (frontispiece, folio 1) from Mahler Becomes Politics, Beisbol | 1964 | Collage |
| Articles and Pamphlets from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| BARRIO | 1967 | Serigraph, printed in color |
| Bacon I | 1968 | Screenprint on paper |
| Bacon II | 1968 | Screenprint on paper |
| Baghdad | 1972 | Screenprint on paper |
| Baghdad from Prints for Phoenix House | 1972 | Screenprint from a portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint |
| Barrio | 1967 | Screenprint on paper |
| Bedroom | 1971 | Screenprint on paper |
| Belgian Letters | 1972 | Screenprint on paper |
| Benia Krik from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Boss Tweed | 1972 | Screenprint on paper |
| Boys and Girls | 1964 | Screenprint |
| Boys and Girls! | 1964 | Screenprint on paper |
| Bub and Sis from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Bucket Rider | 2002 | Pastel and charcoal on colored paper |
| CTRIC News Topi | 1968 | Screenprint |
| Cecil Court, London W.C.2. (The Refugees) | 1983 | Oil paint on canvas |
| Charles Olson | 1966 | Screenprint on paper |
| China of To-day from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Chris | 1980 | Screenprint on paper |
| Civic Virtue | 1967 | Screenprint on paper |
| Coming of Age in Samoa from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Count West-West | 2005 | Oil paint on canvas |
| Creeley | 1966 | Oil paint on canvas |
| Ctric News Topi | 1968 | Screenprint on paper |
| Cutie | 1974 | Screenprint on paper |
| Death’s Door | 2005 | Oil paint on canvas |
| Deerskin (John Wieners) | 1966 | Screenprint on paper |
| Der russische Revolutionsfilm from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Die Donau from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Die gute alte Zeit | 1969 | Screenprint on paper |
| Disciple of Bernstein and Kautsky | 1964 | Screenprint on paper |
| Disciple of Bernstein and Kautsky | 1964 | Screenprint |
| Ed Dorn | 1966 | Screenprint on paper |
| Edward Hopper from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Edward Weston from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Erasmus Variations | 1958 | Oil paint on canvas |
| Errata | 1963 | Screenprint on paper |
| Errata | 1964 | Screenprint with collage additions |
| Ezra Pound I | 1971 | Screenprint on paper |
| Ezra Pound II | 1974 | Screenprint on paper |
| FIFTIES GRAND SWANK (MORTON FELDMAN) from the portfolio FIRST SERIES - SOME POETS | 1968 | Serigraph, printed in color |
| Fifties Grand Swank (Morton Feldman) | 1966 | Screenprint on paper |
| Fighting the Traffic in Young Girls from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Final: City of Burbank, California, Annual Budget 1968-69 from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| For Fear | 1967 | Screenprint on paper |
| For Fear (plate, folio 8) from Mahler Becomes Politics, Beisbol | 1967 | Screenprint, printed in color with varnish additions |
| For Love (Robert Creeley) | 1966 | Screenprint on paper |
| Four in America from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Frank Auerbach | 1975 | Screenprint on paper |
| French Subjects | 1974 | Screenprint on paper |
| From the Lives of the Saints | 1975 | Screenprint on paper |
| Glue-Words | 1967 | Screenprint on paper |
| Glue-Words (plate, folio 16) from Mahler Becomes Politics, Beisbol | 1967 | Screenprint, printed in color with varnish additions |
| Go and Get Killed Comrade - We Need a Byron in the Movement (plate, folio 17) from Mahler Becomes Politics, Beisbol | 1966 | Screenprint, printed in color |
| Go and Get Killed Comrade, We Need a Byron in the Movement | 1966 | Screenprint on paper |
| Good God Where is the King! | 1964 | Screenprint on paper |
| Good God, Where is the King? | 1964 | Screenprint |
| Graduate Notebook | 1975 | Screenprint on paper |
| Greetings Pablo Ruiz | 1972 | Screenprint on paper |
| Greetings Pablo Ruiz from Homage to Picasso (Hommage à Picasso) | 1973 | Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts |
| HEART (AS IN "HE HAS HEART") | 1966 | Serigraph, printed in color |
| Hail Thee Who Play (Michael McClure) | 1966 | Screenprint on paper |
| Hanging in Chains from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Heart | 1966 | Screenprint on paper |
| Heart (plate, folio 7) from Mahler Becomes Politics, Beisbol | 1966 | Screenprint, printed in color |
| Hellebore for Georg Traki | 1965 | Screenprint on paper |
| Hellebore for Georg Trakl (plate, folio 5) from Mahler Becomes Politics, Beisbol | 1965 | Screenprint, printed in color |
| His Every Poor, Defeated, Loser’s, Hopeless Move, Loser, Buried | 1966 | Screenprint on paper |
| His Every Poor, Defeated, Loser’s, Hopeless Move, Loser, Buried (Ed Dorn) (plate, folio 13) from Mahler Becomes Politics, Beisbol | 1966 | Screenprint and collage, printed in color |
| Hollywood, wie es wirklich ist from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Home Truths | 1967 | Screenprint on paper |
| Horizon / Blitz (Prologue) | 1969 | Screenprint on paper |
| How to Read from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Immortal Portraits | 1972 | Screenprint on paper |
| Importing Women for Immoral Purposes | 1978 | Screenprint on paper |
| In His Forthcoming Book on Relative Deprivation (Loneliness) (plate, folio 15) from Mahler Becomes Politics, Beisbol | 1967 | Screenprint, printed in color |
| In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | Portfolio of fifty screenprints, some with collage additions |
| In his Forthcoming Book on Relative Deprivation | 1967 | Screenprint on paper |
| Industrial Camouflage Manual from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Intelligence Bulletin from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Isaac Babel Riding with Budyonny | 1962 | Oil paint on canvas |
| I’ve Balled Every Waitress in this Club | 1967 | Screenprint on paper |
| I’ve Balled Every Waitress in this Club (plate, folio 14) from Mahler Becomes Politics, Beisbol | 1967 | Screenprint and collage, printed in color |
| Jot ‘em Down Store | 1972 | Screenprint on paper |
| Kampflieder: Battle Songs: Canzoni di Guerra from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Kenneth Koch | 1971 | Screenprint on paper |
| Kenneth Rexroth | 1966 | Screenprint on paper |
| LET US CALL IT ARDEN/AND LIVE IN IT! | 1966 | Serigraph, printed in color |
| La Lucha del Pueblo Español por su Libertad from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Let Us ... it Arden / And Live in It! | 1966 | Screenprint on paper |
| Let Us Call It Arden / And Live In It! (plate, folio 6) from Mahler Becomes Politics, Beisbol | 1966 | Screenprint, printed in color |
| London by Night - Life and Art in Photograph; no. four from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Los Angeles No. 25 (Black Pool) | 2003 | Oil paint on canvas |
| Los Angeles No. 4 (Barnes) | 2000 | Oil on canvas |
| Lou Gehrig from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Madame Jane Junk | 1972 | Screenprint on paper |
| Mahler Becomes Politics, Beisbol | 1964 | Portfolio of 15 screenprints (2 with collage), printed in color, and a book, "Mahler" by Jonathan Williams |
| Man with Matisse Tattoo | 1978 | Screenprint on paper |
| Marlborough (Mark Rothko) from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Max and the White Phagocytes from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Men and Books | 1972 | Screenprint on paper |
| Men of Europe 1915 | 1972 | Screenprint on paper |
| Menschen der Zeit from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Michael Hamburger | 1974 | Screenprint on paper |
| Modern Painters | 1972 | Screenprint on paper |
| Mort | 1966 | Screenprint on paper |
| My Cities (An Experimental Drama) | 1990 | Oil paint on canvas |
| Nancy and Jim Dine | 1969 | Screenprint on paper |
| Nerves, Massage, Defeat, Heart | 1967 | Screenprint on paper |
| Nerves, Massage, Defeat, Heart (plate, folio 10) from Mahler Becomes Politics, Beisbol | 1967 | Screenprint, printed in color with varnish additions |
| Notebook | 1971 | Screenprint on paper |
| O'Neill from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Old and New Tables | 1964 | Screenprint on paper |
| On Which Side are You, ‘Masters of Culture’? | 1975 | Screenprint on paper |
| On the Safeguarding of Life in Theatres (Epilogue) | 1969 | Screenprint on paper |
| Outlying London Districts 1 | 1971 | Screenprint on paper |
| Outlying London Districts 2 | 1971 | Screenprint on paper |
| Partisan Review from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Permit Me Voyage from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Photo-Eye (El Lissitzky) from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Photographs and Philosophy | 1963 | Screenprint on paper |
| Photography and Philosophy | 1964 | Screenprint |
| Plague from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Plate (folio 11) from A DAY BOOK | 1972 | Aquatint, photogravure, and screenprint, printed in color |
| Plate (folio 16) from A DAY BOOK | 1972 | Photogravure and screenprint, printed in color |
| Plate (folio 22) from A DAY BOOK | 1972 | Screenprint, printed in color |
| Plate (folio 24) from A DAY BOOK | 1972 | Lithograph, printed in color |
| Plate (folio 25) from A DAY BOOK | 1972 | Screenprint, printed in color |
| Plate (folio 27) from A DAY BOOK | 1972 | Screenprint, printed in color |
| Plate (folio 3) from A DAY BOOK | 1972 | Screenprint, printed in color |
| Plate (folio 32) from A DAY BOOK | 1972 | Screenprint, printed in black |
| Plate (folio 34) from A DAY BOOK | 1972 | Screenprint, printed in color |
| Plate (folio 39) from A DAY BOOK | 1972 | Photogravure and screenprint, printed in color |
| Plate (folio 43) from A DAY BOOK | 1972 | Photogravure and screenprint, printed in color |
| Plate (folio 44) from A DAY BOOK | 1972 | Screenprint, printed in color |
| Plate (folio 8) from A DAY BOOK | 1972 | Screenprint, printed in color |
| Plays for Total Stakes | 1968 | Screenprint on paper |
| Pogany | 1966 | Screenprint on paper |
| Poison Book | 1972 | Screenprint on paper |
| Prints for Phoenix House | 1972 | Portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint |
| Reklame durch das Schaufenster from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Republic of the Southern Cross | 1965 | Screenprint on paper |
| Republic of the Southern Cross (plate, folio 11) from Mahler Becomes Politics, Beisbol | 1965 | Screenprint, printed in color, with varnish additions |
| Revolt on the Clyde (Hugh McDiarmid) | 1966 | Screenprint on paper |
| Robert Duncan | 1971 | Intaglio print on paper |
| STAR BETELGEUSE (ROBERT DUNCAN) from the portfolio FIRST SERIES - SOME POETS | 1967 | Serigraph, printed in color with collage additions |
| Sacha and Gabriel | 1981 | Charcoal on paper |
| Safeguarding of Life | 1969 | Screenprint on paper |
| Self-Portrait in a Convex Mirror | 1984 | Illustrated book with four lithographs, one offset lithograph, one woodcut, one etching with aquatint, one photogravure with hand additions, and one record |
| Self-portrait | 2007 | Oil paint and charcoal on canvas |
| Setpiece 2 | 1969 | Screenprint on paper |
| Setpiece 3 | 1969 | |
| Setpiece I | 1969 | Screenprint on paper |
| Short takes from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Songs of a Sourdough from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Spirit of the Ghetto | 1978 | Screenprint on paper |
| Star Betelgeuse (Robert Duncan) | 1966 | Screenprint on paper |
| THE CULTURAL VALUE OF FEAR, DISTRUST, AND HYPOCHONDRIA | 1966 | Serigraph, printed in color |
| THE DEFECTS OF ITS QUALITIES | 1967 | Serigraph, printed in color with collage additions |
| THE PEOPLE OF THE ABYSS from the portfolio IN OUR TIME COVERS FOR A SMALL LIBRARY AFTER THE LIFE FOR THE MOST PART | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| THE PURSUIT OF THE HOUSE-BOAT from the portfolio IN OUR TIME COVERS FOR A SMALL LIBRARY AFTER THE LIFE FOR THE MOST PART | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| The Adding Machine | 1972 | Screenprint on paper |
| The Broxville Portfolio from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| The Caliph's Design from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| The Congo and Other Poems from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| The Cultural Value of Fear, Distrust and Hypochondria | 1966 | Screenprint on paper |
| The Cultural Value of Fear, Distrust and Hypochondria (plate, folio 4) from Mahler Becomes Politics, Beisbol | 1966 | Screenprint, printed in color |
| The Defects of its Qualities | 1967 | Screenprint on paper |
| The Defence of Terrorism from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| The Desire for Lunch is a Bourgeois Obsessional Neurosis or Grey Schizoids | 1965 | Screenprint on paper |
| The Desire for Lunch is a Bourgeois Obsessional Neurosis or Grey Schizoids | 1965 | Screenprint |
| The Flood of Laymen | 1967 | Screenprint on paper |
| The Flood of Laymen | 1964 | Screenprint |
| The Flood of Laymen (plate, folio 12) from Mahler Becomes Politics, Beisbol | 1967 | Screenprint, printed in color |
| The Gay Science | 1965 | Screenprint on paper |
| The Gay Science (plate, folio 3) from Mahler Becomes Politics, Beisbol | 1965 | Screenprint, printed in color |
| The Jewish Question from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| The Man of the Woods and the Cat of the Mountains | 1973 | Oil paint on canvas |
| The Most Important Film Ever Made | 1972 | Printed paper and typescript on card on screenprint on paper |
| The Murder of Rosa Luxemburg | 1960 | Oil paint, ink, graphite and paper on canvas |
| The Ohio Gang | 1964 | Oil and graphite on canvas |
| The Orientalist | 1976 | Oil paint on canvas |
| The Prevention of Destitution from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| The Red Dancer of Moscow | 1975 | Screenprint on paper |
| The Red Dancer of Moscow [state 1] | 1975 | Screenprint on paper |
| The Red Dancer of Moscow [state 2] | 1975 | Screenprint on paper |
| The Reduction of Anxiety in Terminal Patients | 1965 | Screenprint on paper |
| The Rise of Fascism | 1975 | Oil paint, charcoal and pastel on paper |
| The Romance of the Civil Service | 1967 | Screenprint on paper |
| The Sneeze | 1975 | Pastel and charcoal on paper |
| The Tower from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| The Wedding | 1989 | Oil paint on canvas |
| The Wording of Police Charges from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Towards a Better Life from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Truman in the White House | 1966 | Screenprint on paper |
| Untitled | 1969 | Screenprint on paper |
| Untitled | 1972 | Screenprint on paper |
| Untitled from Self-Portrait in a Convex Mirror | 1984 | Etching and aquatint from an illustrated book with four lithographs, one offset lithograph, one woodcut, one etching with aquatint, one photogravure with hand additions, and one record |
| Untitled: cover for "Times Literary Supplement" | 1963 | Cut and pasted paper, charcoal, and pencil on paper |
| VERNISSAGE-COCKTAIL | 1967 | Serigraph, printed in color |
| Vampyr from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Vernissage-Cocktail | 1967 | Screenprint on paper |
| W.H. Auden | 1966 | Screenprint on paper |
| Waiting for Lefty | 1974 | Screenprint on paper |
| What is Comparison? | 1964 | Screenprint on paper |
| What is a Comparison? | 1964 | Screenprint |
| What is a Comparison? (plate, folio 9) from Mahler Becomes Politics, Beisbol | 1964 | Screenprint, printed in color |
| Wir haben es nicht vergessen: Nous n'avons pas oublié: We have not forgotten from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| With Scott to the Pole from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| Workers in the Dawn from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| World Ruin through Black Magic | 1965 | Screenprint on paper |
| World Ruin through Black Magic | 1963 | Screenprint on two sheets |
| Wrapper from A DAY BOOK | 1972 | Screenprint, printed in color |
| Yaller Bird | 1964 | Screenprint on paper |
| Zeppelin Nights from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
| [no title] | 1972 | Screenprint on paper |
| [no title] | 1972 | Screenprint on paper |
| [no title] | 1972 | Screenprint on paper |
| [no title] | 1972 | Screenprint on paper |
| [no title] | 1972 | Screenprint on paper |
| [no title] | 1972 | Screenprint on paper |
| [no title] | 1972 | Screenprint on paper |
| [no title] | 1972 | Screenprint on paper |
| [no title] | 1972 | Screenprint on paper |
| [no title] | 1972 | Screenprint on paper |
| [no title] | 1972 | Screenprint on paper |
| [no title] | 1972 | Lithograph on paper |
| [no title] | 1972 | Screenprint on paper |
| [no title] | 1972 | Screenprint on paper |
| transition from In Our Time: Covers for a Small Library After the Life for the Most Part | 1969 | One from a portfolio of fifty screenprints, some with collage additions |
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