George Grosz
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Classified as:
- Author
- Artist
Key facts:
- Life: 1893 - 1959
- Country: Germany
- Gender: male
- Books: 12
- Artworks: 239
- Author Period Covered: 1967 - 2013
Timeline
There are 239 artworks by George Grosz created between 1911 and 1958 in our database:
Movements
There are 5 artworks by George Grosz linked to an art movement:
| Movement | Artworks | Distribution % | |
|---|---|---|---|
| Expressionism | 3 | 60.00 | |
| Neue Sachlichkeit | 2 | 40.00 | |
Media and materials
George Grosz used 39 distinct media and materials:
| Medium | Artworks | |
|---|---|---|
| One from an illustrated book with 100 offset lithograph reproductions | 100 | |
| Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions | 21 | |
| Offset lithograph | 20 | |
| Line block from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions | 15 | |
| from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions | 12 | |
| One from a portfolio of ten offset lithographs (including title page) | 10 | |
| One from a portfolio of nine lithographs | 9 | |
| Ink on paper | 7 | |
| Lithograph | 7 | |
| Ink and pencil on paper | 3 | |
| Letterpress and line block | 2 | |
| Oil on canvas | 2 | |
| Letterpress | 2 | |
| Drypoint | 2 | |
| Oil on board | 2 | |
| Pencil on paper | 2 | |
| Watercolor and opaque watercolor on paper | 1 | |
| Watercolor, opaque watercolor and ink on paper | 1 | |
| One from a portfolio of six lithographs | 1 | |
| Portfolio of nine lithographs | 1 | |
| Watercolor and charcoal on paper | 1 | |
| Portfolio of six lithographs | 1 | |
| Illustrated book with twenty-six line block and twenty-one offset lithography reproductions | 1 | |
| Oil paint on canvas | 1 | |
| Etching | 1 | |
| Watercolor and pencil on paper | 1 | |
| Watercolor, ink, pencil, and cut-and-pasted printed paper on paper | 1 | |
| Watercolor, ink, metallic paint, and pencil on paper | 1 | |
| Six from a portfolio of sixty-five photolithographs | 1 | |
| Portfolio of ten offset lithographs (including title page) | 1 | |
| Lithograph from an illustrated book with fifteen lithographs, eight woodcuts, eight reproductions and one lithographed cover | 1 | |
| Watercolor and ink on paper | 1 | |
| Watercolour on paper | 1 | |
| Illustrated book with 100 offset lithograph reproductions | 1 | |
| Ink on paper (recto and verso) | 1 | |
| Illustrated book with fifteen lithographs, eight woodcuts, eight reproductions and one lithographed cover | 1 | |
| Watercolor and ink on paper (recto); Ink on paper (verso) | 1 | |
| Watercolor, ink and pencil on paper | 1 | |
| Cut-and-pasted printed paper and gelatin silver prints on postcard with ink and stamped ink | 1 | |
Collected by
239 artworks by George Grosz are located in the following collections:
| Collection | Artworks | |
|---|---|---|
| Museum of Modern Art (New York) | 236 | |
| Tate Museums | 3 | |
Directory of work
Explore 239 artworks by George Grosz:
| Title | Year | Medium |
|---|---|---|
| "The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen) | 1920 | Watercolor, ink, pencil, and cut-and-pasted printed paper on paper |
| A Married Couple | 1930 | Watercolour on paper |
| Ach, knallige Welt, du seliges Abnormitätenkabinett (plate, folio 86) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Aenne (plate, folio 47) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Air Attack (Fliegerbombe) | 1915 | Ink on paper |
| Akrobaten (plate, folio 62) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Allein (plate, folio 82) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| An Orderly. Costume design for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa) | 1930 | Watercolor, ink and pencil on paper |
| An der Grenze (plate, folio 78) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Anna Peter | 1926 | Pencil on paper |
| Ants from In the Shadows (Im Schatten) | 1920 | One from a portfolio of ten offset lithographs (including title page) |
| Apachen (plate, folio 71) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| At the Canal (Am Canal) from The First George Grosz Portfolio (Erste George Grosz-Mappe) | 1915 | One from a portfolio of nine lithographs |
| At the Circus Medrano (Im Zirkus Medrano) | 1924 | Ink on paper |
| At the Cirque Medrano (Im Zirkus Medrano) | 1924 | Ink on paper |
| Athlet (plate, folio 100) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Attack (Attentat) | 1915 | Lithograph |
| Aus der Jugendzeit (plate, folio 5) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Ausgang (plate, folio 98) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Bessere Leute (plate, folio 11) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Blood Is the Best Sauce (Die Kommunisten fallen - und die Devisen steigen) from the portfolio God with Us (Gott mit uns) | 1919 | Offset lithograph |
| Brownstone Front (plate facing page 198) from The Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Bürgerliche Welt (plate, folio 23) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Café | 1926 | Ink and pencil on paper |
| Café (plate, folio 51) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Charakterkopf (plate, folio 19) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Circe (recto); Untitled (verso) | 1927 | Watercolor and ink on paper (recto); Ink on paper (verso) |
| Cirque Medrano, Clowns Poitu and Chocolat (Circus Medrano, Clowns Poitu et Chocolat) | 1924 | Ink and pencil on paper |
| Colophon (page 223) from The Voice of the City and Other Stories | 1935 | from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Coney Island (plate facing page 38) from The Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Cover from the portfolio God with Us (Gott mit uns) | 1919 | Letterpress and line block |
| Das Vaterunser (plate, folio 102) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Dawn from In the Shadows (Im Schatten) | 1920 | One from a portfolio of ten offset lithographs (including title page) |
| Death on the Street (Tod auf der Strasse) from the deluxe periodical in portfolio form Die Schaffenden, vol. 4, no. 4 | 1920 | Lithograph |
| Den of Iniquity (Lasterhöhle) | 1914 | Drypoint |
| Der Besuch (plate, folio 14) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Der Hypochonder Otto Schmalhausen (plate, folio 26) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Der Mensch ist gut (plate, folio 72) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Der Mädchenhändler (plate, folio 50) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Der absolute Monarchist (plate, folio 43) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Der besessene Forstadjunkt (plate, folio 30) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Des Ende (plate, folio 101) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Deutsche Graphiker der Gegenwart (German Printmakers of Our Time) | 1920 | Illustrated book with fifteen lithographs, eight woodcuts, eight reproductions and one lithographed cover |
| Deutsche Männer (plate, folio 87) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Die Macht der Musik (plate, folio 39) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Die Verantwortlichen (plate, folio 29) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Dispute by Moonlight (Disput bei Mondschein) (recto); Two Men (verso) | 1920 | Ink on paper (recto and verso) |
| Dissonant Flute (Verstimmte Flöte) | 1922 | Lithograph |
| Dr. Benn's Nachtcafé (plate, folio 96) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Dr. Huelsenbeck am Ende (plate, folio 49) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Dr. S. und Frau (plate, folio 54) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Drawing for ‘The Mirror of the Bourgeoisie’ | 1925 | Ink on paper |
| Dusk from In the Shadows (Im Schatten) | 1920 | One from a portfolio of ten offset lithographs (including title page) |
| Dämmerung (plate, folio 99) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Ecce Homo | 1922 | Illustrated book with 100 offset lithograph reproductions |
| Ecce homo (plate, folio 28) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Eheszene (plate, folio 77) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Ehrenmann (plate, folio 73) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Entkleidung (plate, folio 12) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Esplanade (plate, folio 76) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Eva (plate, folio 63) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Eviction (Per Gerichtsbeschluss entlassen) from the portfolio Interregnum | 1935 | Offset lithograph |
| Explosion | 1917 | Oil on board |
| Familie (plate, folio 4) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Family (Familie) from the illustrated book Ecce Homo | 1922 | Offset lithograph |
| Fit for Active Service (Kriegsverwendungsfähig) | 1918 | Ink and pencil on paper |
| Franz Jung gewidmet (plate, folio 57) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Friedrichstraße (plate, folio 3) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Fritzke and Birkholz. Costume designs for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa) | 1930 | Watercolor and ink on paper |
| Frühlings Erwachen (plate, folio 32) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Garnisonsverwendungsfähig (plate, folio 68) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Genreszene (plate, folio 75) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| George Grosz letterhead (Letter to Bernard Reis) | 1956 | Letterpress |
| George Grosz letterhead (Letter to Schainwald) | 1958 | Letterpress |
| German Doctors Fighting the Blockade (Die Gesundbeter) from the portfolio God with Us (Gott mit uns) | 1918 | Offset lithograph |
| Germanentag (plate, folio 53) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| God with Us (Gott mit uns) from the portfolio God with Us (Gott mit uns) | 1919 | Offset lithograph |
| God with Us (Gott mit uns) from the portfolio God with Us (Gott mit uns) | 1919 | Offset lithograph |
| Grimmiger Mann (plate, folio 6) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Gruß aus Sachsen (plate, folio 7) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Gypsy Music (Zigeunermusik) | 1921 | Lithograph |
| Hahn im Korbe (plate, folio 37) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Haifische (plate, folio 81) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Hall Bedroom (plate facing page 88) from The Voice of the City and Other StoriesThe Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Hausherr (plate, folio 36) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| He Didn't Believe Me (Er glaubte nicht) from the portfolio Interregnum | 1935 | Offset lithograph |
| He Made Fun of Hindenburg (Er hat Hindenburg verspottet) (plate 11) from the illustrated book Deutsche Graphiker der Gegenwart (German Printmakers of Our Time) | 1920 | Lithograph from an illustrated book with fifteen lithographs, eight woodcuts, eight reproductions and one lithographed cover |
| Headpiece (page 1) from The Voice of the City and Other Stories | 1935 | Line block from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Headpiece (page 100) from The Voice of the City and Other Stories | 1935 | Line block from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Headpiece (page 123) from The Voice of the City and Other Stories | 1935 | from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Headpiece (page 158) from The Voice of the City and Other Stories | 1935 | from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Headpiece (page 167) from The Voice of the City and Other Stories | 1935 | from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Headpiece (page 175) from The Voice of the City and Other Stories | 1935 | from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Headpiece (page 27) from The Voice of the City and Other Stories | 1935 | Line block from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Headpiece (page 33) from The Voice of the City and Other Stories | 1935 | Line block from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Headpiece (page 73) from The Voice of the City and Other Stories | 1935 | Line block from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Headpiece (page 92) from The Voice of the City and Other Stories | 1935 | Line block from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Heimatliche Gestalten (plate, folio 58) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Hinterbliebene (plate, folio 17) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Hochfinanz (plate, folio 41) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Ich dien (Feierabend) from the portfolio God with Us (Gott mit uns) | 1919 | Offset lithograph |
| In Gedanken (plate, folio 46) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| In the Shadows (Im Schatten) | 1920 | Portfolio of ten offset lithographs (including title page) |
| In-text plate (page 97) from The Voice of the City and Other Stories | 1935 | Line block from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Inflation from In the Shadows (Im Schatten) | 1920 | One from a portfolio of ten offset lithographs (including title page) |
| Interieur (plate, folio 48) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Interregnum | 1936 | Six from a portfolio of sixty-five photolithographs |
| Johannisnacht (plate, folio 60) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Joint (Kaschemme) from The First George Grosz Portfolio (Erste George Grosz-Mappe) | 1916 | One from a portfolio of nine lithographs |
| Jugend (plate, folio 88) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Kommerzienrats Töchterlein (plate, folio 59) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Krach (plate, folio 84) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Kraft und Anmut (plate, folio 44) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Krise (plate, folio 93) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Köpfe (plate, folio 97) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Lady with a Veil (Schleierdame) | 1915 | Lithograph |
| Ledebour (plate, folio 67) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Let Those Swim Who Can - The Heavy May Sink! (Schwimme, wer schwimmen kann, und wer zu plump ist, geh' unter!) from the portfolioThe Robbers (Die Räuber) | 1921 | Offset lithograph |
| Louise (plate, folio 25) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Lustmord in der Ackerstraße (plate, folio 40) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Made in Germany (Den macht uns keiner nach) from the portfolio God with Us (Gott mit uns) | 1919 | Offset lithograph |
| Madison Square (plate facing page 212) The Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Magenbeschwerden (plate, folio 80) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Man About Town (plate facing page 30) from The Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Marseille (plate, folio 8) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Matchseller and Patrol from In the Shadows (Im Schatten) | 1920 | One from a portfolio of ten offset lithographs (including title page) |
| Max Herrmann-Neisse | 1925 | Ink on paper |
| Melancholie (plate, folio 31) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Memory of New York (Erinnerung an New York) from The First George Grosz Portfolio (Erste George Grosz-Mappe) | 1915 | One from a portfolio of nine lithographs |
| Methusalem. Costume design for the play Methusalem | 1922 | Watercolor, ink, metallic paint, and pencil on paper |
| Metropolis (Grossstadt) | 1917 | Oil on board |
| Moonlit Night (Mondnacht) from The First George Grosz Portfolio (Erste George Grosz-Mappe) | 1915 | One from a portfolio of nine lithographs |
| Mord (plate, folio 16) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Murder (Mord) from the illustrated book Ecce Homo | 1915 | Offset lithograph |
| Nach Ladenschluß (plate, folio 56) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Nachts (plate, folio 42) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Nachwuchs (plate, folio 24) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Niederkunft (plate, folio 38) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| No Let Up (Kein Ende in Sicht) from the portfolio Interregnum | 1936 | Offset lithograph |
| O alte Burschenherrlichkeit (plate, folio 64) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Outside the Factories from In the Shadows (Im Schatten) | 1920 | One from a portfolio of ten offset lithographs (including title page) |
| Outskirts (Peripherie) from The First George Grosz Portfolio (Erste George Grosz-Mappe) | 1915 | One from a portfolio of nine lithographs |
| Pappi und Mammi (plate, folio 33) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Pay Day from In the Shadows (Im Schatten) | 1920 | One from a portfolio of ten offset lithographs (including title page) |
| People in the Street (Menschen in der Strasse) from The First George Grosz Portfolio (Erste George Grosz-Mappe) | 1915 | One from a portfolio of nine lithographs |
| People in the Street from In the Shadows (Im Schatten) | 1920 | One from a portfolio of ten offset lithographs (including title page) |
| Plate (facing page 104) from The Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Plate (facing page 120) from The Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Plate (facing page 132) from The Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Plate (facing page 14) from The Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Plate (facing page 146) from The Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Plate (facing page 160) from The Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Plate (facing page 168) from The Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Plate (facing page 184) from The Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Plate (facing page 218) from The Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Plate (facing page 50) from The Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Plate (facing page 62) from The Voice and the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Plate (facing page 68) from The Voice and the City and Other StoriesThe Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Plate (facing page 80) from The Voice and the City and Other StoriesThe Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Plate (facing page 94) from The Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Plate I from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Plauderstunde (plate, folio 45) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Professor Freud gewidmet (plate, folio 65) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Promenade (plate, folio 35) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Punishment (Strafe) | 1934 | Watercolor and opaque watercolor on paper |
| Quergebäude vier Treppen (plate, folio 61) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Querschnitt (plate, folio 83) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Republican Automatons (Republikanische Automaten) | 1920 | Watercolor and pencil on paper |
| Richard Wagner-Gedenkblatt (plate, folio 74) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Rudi S. (plate, folio 52) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Saints (Heilige) from the portfolio Interregnum | 1935 | Offset lithograph |
| Schwere Zeiten (plate, folio 34) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Schäferstündchen (plate, folio 94) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Schönheit, dich will ich preisen (plate, folio 22) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Schönheitsabend in der Motzstraße (plate, folio 10) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Seated Girl (Sitzendes Mädchen) | 1927 | Pencil on paper |
| Self-Portrait with Dog in Front of the Easel (Selbstbildnis mit Hund vor der Staffelei) from the deluxe periodical in portfolio form Die Schaffenden, vol. 5, no. 2 | 1926 | Lithograph |
| Self-Portrait with a Model | 1928 | Oil on canvas |
| Separé (plate, folio 27) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Silberne Hochzeit (plate, folio 91) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Soirée (plate, folio 55) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Sonntag früh (plate, folio 95) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Spider (Die Spinne) | 1914 | Drypoint |
| Stammtischstudien (plate, folio 13) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Street in the City (Strasse in der Stadt) from The First George Grosz Portfolio (Erste George Grosz-Mappe) | 1915 | One from a portfolio of nine lithographs |
| Studie (plate, folio 66) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Ständchen (plate, folio 85) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Suburb (Vorstadt) from The First George Grosz Portfolio (Erste George Grosz-Mappe) | 1915 | One from a portfolio of nine lithographs |
| Suicide | 1916 | Oil paint on canvas |
| Table of contents from the portfolio Got mit uns (God with Us) | 1920 | Letterpress and line block |
| Tailpiece (page 114) from The Voice of the City and Other Stories | 1935 | from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Tailpiece (page 122) from The Voice of the City and Other Stories | 1935 | from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Tailpiece (page 157) from The Voice of the City and Other Stories | 1935 | from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Tailpiece (page 189) from The Voice of the City and Other Stories | 1935 | from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Tailpiece (page 205) from The Voice of the City and Other Stories | 1935 | from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Tailpiece (page 213) from The Voice of the City and Other Stories | 1935 | from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Tailpiece (page 221) from The Voice of the City and Other Stories | 1935 | from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Tailpiece (page 26) from The Voice of the City and Other Stories | 1935 | Line block from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Tailpiece (page 55) from The Voice of the City and Other Stories | 1935 | Line block from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Tailpiece (page 63) from The Voice of the City and Other Stories | 1935 | Line block from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Tailpiece (page 64) from The Voice of the City and Other Stories | 1935 | Line block from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Tailpiece (page 72) from The Voice of the City and Other Stories | 1935 | Line block from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Tailpiece (page 82) from The Voice of the City and Other Stories | 1935 | Line block from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Tailpiece (page 91) from The Voice of the City and Other Stories | 1935 | Line block from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Tailpiece (page 99) from The Voice of the City and Other Stories | 1935 | Line block from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Texas Picture for My Friend Chingachgook (Texasbild für meinen Freund Chingachgook) from The First George Grosz Portfolio (Erste George Grosz-Mappe) | 1915 | One from a portfolio of nine lithographs |
| That'll Learn'em (Das wird ihm auf die Sprünge helfen) from the portfolio Interregnum | 1935 | Offset lithograph |
| The American Scene, no. 1 | 1933 | Portfolio of six lithographs |
| The Blessing of Heaven Is Visibly upon Me (Gottes sichtbarer Segen ist bei mir) from the portfolio The Robbers (Die Räuber) | 1922 | Offset lithograph |
| The Bowery (plate facing page 2) from The Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| The Christmas Brothers | 1917 | Ink on paper |
| The Dignity of Labor (Arbeit adelt) from the portfolio Interregnum | 1935 | Offset lithograph |
| The End of the Day | 1919 | Ink on paper |
| The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)] | 1913 | Watercolor and charcoal on paper |
| The First George Grosz Portfolio (Erste George Grosz-Mappe) | 1916 | Portfolio of nine lithographs |
| The Germans to the Front (Für deutsches Recht und deutsche Sitte) from the portfolio God with Us (Gott mit uns) | 1919 | Offset lithograph |
| The Hero (Der Held) from The American Scene, no. 1 | 1933 | One from a portfolio of six lithographs |
| The Last Soldier | 1937 | Watercolor, opaque watercolor and ink on paper |
| The New Generation (Nachwuchs) | 1921 | Offset lithograph |
| The Poet Max Herrmann-Neisse | 1927 | Oil on canvas |
| The Voice of the City and Other Stories | 1933 | Illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| The World Made Safe for Democracy (Die vollendete Demokratie) from the portfolio God with Us (Gott mit uns) | 1919 | Offset lithograph |
| Title page from In the Shadows (Im Schatten) | 1920 | One from a portfolio of ten offset lithographs (including title page) |
| Title page from The Voice of the City and Other Stories | 1935 | Offset lithograph from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions |
| Trio (plate, folio 90) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Two Men (Zwei Männer) | 1915 | Lithograph |
| Two Men Watching a Couple (Zwei Männer in Betrachtung eines Paares) | 1911 | Etching |
| Ungleiches Paar (plate, folio 70) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Untitled (The dance of to day) | 1922 | Cut-and-pasted printed paper and gelatin silver prints on postcard with ink and stamped ink |
| Verlobung (plate, folio 21) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Verzückung (plate, folio 20) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Vor Sonnenaufgang (plate, folio 92) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Vor dem Tee (plate, folio 69) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Vorstadt (plate, folio 89) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| Walzertraum (plate, folio 79) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| War Invalid and Workers from In the Shadows (Im Schatten) | 1920 | One from a portfolio of ten offset lithographs (including title page) |
| Whisky (plate, folio 15) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
| World of the Bourgeoisie (Bürgerliche Welt) from the illustrated book Ecce Homo | 1922 | Offset lithograph |
| Zu Hause (plate, folio 18) from Ecce Homo | 1922 | One from an illustrated book with 100 offset lithograph reproductions |
Main subjects
Books written by George Grosz primarily cover the following subjects:
Language
The 12 editions have been published in 1 languages:
| Language | Editions |
|---|---|
| eng | 12 |
Books & Editions
There are 12 books and 12 editions by George Grosz in our database:
Source
Licence
Updated: 82 days ago
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