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André Masson
André Masson is a male french artist (1896-1987) with 324 artworks in our database
1896 - 1987
Life
Male
Gender
France
Country
324
Artworks
In database
☰
☷
Creation timeline
There are 324 artworks by André Masson created between 1922 and 1977 in our database
Media and materials
André Masson used 74 distinct media and materials for the 324 artworks, which represents a 22.8% diversity ratio
Directory of work
Explore 324 artworks by André Masson
Title | Year | Medium |
---|---|---|
AFTERNOON VIEW, plate XIV (folio 26) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
ALL MASKS ARE GOOD (plate VI) from BESTIAIRE | 1945 | |
AT GIUDECCA, plate XI (folio 23) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
Abduction | 1946 | Drypoint |
Aeneas and His Children (Anéas et ses enfants) from Flight | 1966 | Lithograph from a portfolio of eleven lithographs and one screenprint |
An Undine | 1954 | Aquatint |
Anatomy of my Universe | 1943 | Illustrated book with two soft ground etching, etching, and drypoints (added trial proofs tipped onto folio 2), and photolithographic reproductions after pen and ink drawings |
Andromeda | 1943 | Tempera and sand on canvasboard |
Animals Devouring Themselves | 1929 | Pastel on paper |
Ariadne's Clew (Le Fil d'Ariane) from For Meyer Schapiro | 1973 | Etching and aquatint from a portfolio of four lithographs (one with embossing), three screenprints (one with stamp additions), two lithograph and screenprints (one with embossing), two etching and aquatints, and one duplicated drawing |
At the Theatre (Au théâtre) | 1946 | Etching and aquatint |
Attacked by Birds | 1956 | Oil and sand on canvas |
Automatic Drawing | 1924 | Ink on paper |
BACK OF A WOMAN, plate XII (folio 16) from CARNET DE CROQUIS | 1949 | |
BLOOD AND RACE (plate IV) from BESTIAIRE | 1945 | |
BUNCH OF CHRYSANTHEMUMS, plate IX (folio 13) from CARNET DE CROQUIS | 1949 | |
Ballet Russes de Monte-Carlo | 1933 | Lithograph |
Ballet poster | 1933 | Lithograph |
Battle of Fishes | 1926 | Sand, gesso, oil, pencil, and charcoal on canvas |
Battle of the Fishes | 1927 | Chalk, charcoal, conté crayon, and oil on paper |
Baudelaire | 1942 | Etching and drypoint |
Bestiaire | 1946 | Illustrated book with twelve lithographs; and line block reproductions after brush and ink drawings |
Bestiare | 1946 | Illustrated book with twelve lithographs |
Birth of Birds | 1925 | Ink on paper |
Blue Bather | 1950 | Lithograph |
Blue Vase | 1956 | Lithograph |
Boats in Venice | 1956 | Lithograph |
Bones and Chrysalids | 1955 | Lithograph |
C'est les bottes de 7 lieues: Cette phrase "Je me vois" | 1926 | Illustrated book with four etchings |
CANAL AT TWILIGHT, plate XXII (folio 34) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
CANAL CROSSING, plate VI (folio 18) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
CANAL TO GIUDECCA, plate XII (folio 24) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
CHRYSANTHEMUMS IN THE WIND, plate X (folio 14) from CARNET DE CROQUIS | 1949 | |
COUNTRYSIDE AT AIX, plate I (folio 5) from CARNET DE CROQUIS | 1949 | |
Card Trick | 1923 | Oil on canvas |
Caribbean Landscape | 1941 | Ink on paper |
Carnet de croquis | 1950 | Illustrated book with twenty-one transfer lithographs (including wrapper front) |
Childbirth | 1955 | Lithograph on paper |
Chinese Actors (Acteurs chinois) | 1957 | Etching |
Cover from Soleils bas | 1924 | Drypoint from an illustrated book with four drypoints |
DONKEY AND MULE, plate XVI (folio 20) from CARNET DE CROQUIS | 1949 | |
Depressed Woodcock (Bécasse abattue) | 1952 | Lithograph |
Drama (Massacre) (Drame [Massacre]) | 1933 | Drypoint |
EPHEMERA (plate XII) from BESTIAIRE | 1945 | |
Emblem (Emblème) | 1942 | Etching, drypoint and aquatint |
Exhibition poster - Hannover, Germany | 1955 | Poster |
FEAR (plate XI) from BESTIAIRE | 1945 | |
FORCE OR RUSE? (plate V) from BESTIAIRE | 1945 | |
Feuilles éparses | 1957 | Illustrated book with nine etchings (two with aquatint, one with aquatint and drypoint), two engravings, one aquatint, one drypoint, and one woodcut |
Figure | 1926 | Oil and sand on canvas |
Flight | 1971 | Portfolio of eleven lithographs and one screenprint |
Florence at Dusk | 1958 | Lithograph |
For Meyer Schapiro | 1973 | Portfolio of four lithographs (one with embossing), three screenprints (one with stamp additions), two lithograph and screenprints (one with embossing), two etching and aquatints, and one duplicated drawing |
Four trial proofs for plates from Histoire de l'oeil | 1928 | Illustrated book with four lithographs, two with blue pencil additions |
Front cover from SIMULACRE | 1925 | Lithograph, printed in black |
Frontispiece from LE CON D'IRÈNE | 1928 | |
Frontispiece from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Frontispiece from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Frontispiece from Ximenès malinjoude | 1927 | |
Furious Suns | 1925 | Ink on paper |
GONDOLIERS, plate VII (folio 19) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
Green Nude | 1956 | Lithograph |
Guitar and Profile | 1923 | Pastel on paper |
Gérard de Nerval | 1940 | Ink on paper |
HORSE FAIR, plate XVIII (folio 22) from CARNET DE CROQUIS | 1949 | |
Headpiece (colophon page) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
Headpiece (folio 5) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
Headpiece (folio 8 verso) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
Headpiece (folio 9 verso) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
Headpiece (page 15) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in black |
Headpiece (page 15) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in black |
Headpiece (page 163) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in black |
Headpiece (page 163) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in black |
Headpiece (page 79) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in black |
Headpiece (page 79) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in black |
Hespéride | 1947 | Lithograph |
Hommage à Roger Lacourière | 1968 | Illustrated book with twelve etchings (two with aquatint, two with drypoint, one with aquatint and drypoint) and one drypoint |
IN THE FOREST, plate VI (folio 10) from CARNET DE CROQUIS | 1949 | |
INDUSTRIAL BEAST (plate IX) from BESTIAIRE | 1945 | |
Ibdes in Aragon | 1935 | Oil paint on canvas |
In-text plate (folio 4) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
In-text plate (folio 6 verso) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
In-text plate (folio 7 verso) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
In-text plate (folio 7) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
In-text plate (folio 8) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
Invention of the Labyrinth | 1942 | Ink on colored paper |
Jeux d'eau a la villa d'Este | 1958 | Lithograph |
Kitchen-maids | 1962 | Oil paint on canvas |
L'Anus solaire | 1931 | Illustrated book with three drypoints |
L'Inutile Parole | 1964 | Illustrated book with one drypoint |
LA SALUTE, plate XVIII (folio 30) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
LAGOON, plate XIII (folio 25) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
LAKE COMO, plate II (folio 14) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
LAKE GENEVA, plate III (folio 15) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
LITTLE WATERFALLS, plate V (folio 9) from CARNET DE CROQUIS | 1949 | |
Le Con d'Irène | 1928 | Illustrated book with five etchings |
Le dit du veux marin: Christabel et Koubla Khan | 1948 | Illustrated book with twelve lithographs |
Les Conquérants | 1948 | Illustrated book with thirty-two lift ground aquatints |
Les Conquérants | 1948 | Illustrated book with thirty-three lift ground aquatints |
Les Hain-Teny | 1955 | Etching and aquatint on paper |
Little Genius of Wheat (Petit génie du blé) | 1942 | Etching and drypoint |
MISFORTUNE TO THE POOR! (plate VII) from BESTIAIRE | 1945 | |
MORNING VIEW, plate XV (folio 27) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
MULE FAIR, plate XIX (folio 23) from CARNET DE CROQUIS | 1949 | |
Meditation of the Painter | 1943 | Oil on canvas |
Meditation on an Oak Leaf | 1942 | Tempera, pastel and sand on canvas |
Metamorphoses (Métamorphoses) | 1961 | Drypoint and aquatint |
Metamorphosis | 1963 | Lithograph |
Mist in the Valley of the Arc | 1956 | Lithograph |
Montagne Ste.Victoire | 1949 | Lithograph |
Montserrat | 1934 | Graphite and chalk on paper |
Myself Drawing Dante | 1940 | Ink on paper |
NEAR THE RAFTS, plate XVI (folio 28) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
NIGHT AT BELLAGIO, plate I (folio 13) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
NUDE LEANING ON HER ELBOW, plate XV (folio 19) from CARNET DE CROQUIS | 1949 | |
NUDE, plate XIV (folio 18) from CARNET DE CROQUIS | 1949 | |
Nocturne | 1944 | Etching |
Nocturne | 1951 | Lithograph on chine collé |
OPEN POMEGRANATE, plate XI (folio 15) from CARNET DE CROQUIS | 1949 | |
Orpheus (Orphée) | 1933 | Etching and drypoint |
PALACE AND CANAL, plate XX (folio 32) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
Panic | 1955 | Etching |
Pasiphae | 1942 | Oil and sand on canvas |
Pasiphaë | 1945 | Pastel on black paper |
Pedestal Table in the Studio | 1922 | Oil paint on canvas |
Plate (facing page 16) from LE CON D'IRÈNE | 1928 | |
Plate (facing page 56) from LE CON D'IRÈNE | 1928 | |
Plate (facing page 72) from LE CON D'IRÈNE | 1928 | |
Plate (facing page 80) from LE CON D'IRÈNE | 1928 | |
Plate (folio 10) from C'est les bottes de 7 lieues: Cette phrase "Je me vois", | 1926 | Etching from an illustrated book with four etchings |
Plate (folio 10) from L'Anus solaire | 1931 | Drypoint from an illustrated book with three drypoints |
Plate (folio 10) from Soleils bas | 1924 | Drypoint from an illustrated book with four drypoints |
Plate (folio 10) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
Plate (folio 11) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
Plate (folio 12) from Ximenès malinjoude | 1927 | |
Plate (folio 13) from C'est les bottes de 7 lieues: Cette phrase "Je me vois" | 1926 | Etching from an illustrated book with four etchings |
Plate (folio 20) from Ximenès malinjoude | 1927 | |
Plate (folio 25) from Ximenès malinjoude | 1927 | |
Plate (folio 32) from Hommage à Roger Lacourière | 1968 | Drypoint from an illustrated book with twelve etchings (two with aquatint, two with drypoint, one with aquatint and drypoint) and one drypoint |
Plate (folio 32) from Ximenès malinjoude | 1927 | |
Plate (folio 36) from Ximenès malinjoude | 1927 | |
Plate (folio 4 verso) from POEMS | 1974 | |
Plate (folio 5) from L'Anus solaire | 1931 | Drypoint from an illustrated book with three drypoints |
Plate (folio 6) from Soleils bas | 1924 | Drypoint from an illustrated book with four drypoints |
Plate (folio 6) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
Plate (folio 7 verso) from POEMS | 1974 | |
Plate (folio 7) from C'est les bottes de 7 lieues: Cette phrase "Je me vois" | 1926 | Etching from an illustrated book with four etchings |
Plate (folio 7) from L'Anus solaire | 1931 | Drypoint from an illustrated book with three drypoints |
Plate (folio 8) from Soleils bas | 1924 | Drypoint from an illustrated book with four drypoints |
Plate (page 105) from LE DIT DU VIEUX MARIN | 1948 | |
Plate (page 107) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 107) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 115) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 115) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 123) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 123) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 131) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 131) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 139) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 139) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 14) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in black |
Plate (page 14) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in black |
Plate (page 147) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 147) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 155) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 155) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 162) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in black |
Plate (page 162) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in black |
Plate (page 17) from LE DIT DU VIEUX MARIN | 1948 | |
Plate (page 171) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 171) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 179) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 179) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 187) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 187) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 19) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 19) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 195) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 195) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 203) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 203) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 21) from LE DIT DU VIEUX MARIN | 1948 | |
Plate (page 215) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 215) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 27) from LE DIT DU VIEUX MARIN | 1948 | |
Plate (page 27) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 27) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 33) from LE DIT DU VIEUX MARIN | 1948 | |
Plate (page 35) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 35) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 41) from LE DIT DU VIEUX MARIN | 1948 | |
Plate (page 43) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 43) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 49) from LE DIT DU VIEUX MARIN | 1948 | |
Plate (page 51) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 51) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 55) from LE DIT DU VIEUX MARIN | 1948 | |
Plate (page 59) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 59) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 67) from LE DIT DU VIEUX MARIN | 1948 | |
Plate (page 67) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 75) from LE DIT DU VIEUX MARIN | 1948 | |
Plate (page 78) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in black |
Plate (page 78) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in black |
Plate (page 79) from Feuilles éparses | 1965 | Etching from an illustrated book with nine etchings (two with aquatint, one with aquatint and drypoint), two engravings, one aquatint, one drypoint, and one woodcut |
Plate (page 83) from LE DIT DU VIEUX MARIN | 1948 | |
Plate (page 83) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 83) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 91) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 91) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 93) from LE DIT DU VIEUX MARIN | 1948 | |
Plate (page 99) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate (page 99) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in color |
Plate 1 (folio 5) from SIMULACRE | 1925 | |
Plate 2 (folio 7) from SIMULACRE | 1925 | |
Plate 3 (folio 9) from SIMULACRE | 1925 | |
Plate 4 (folio 11) from SIMULACRE | 1925 | |
Plate 5 (folio 13) from SIMULACRE | 1925 | |
Plate 6 (folio 15) from SIMULACRE | 1925 | |
Plate I (folio 5) from TORO | 1951 | |
Plate II (folio 6) from TORO | 1951 | |
Plate III (folio 7) from TORO | 1951 | |
Plate IV (folio 8) from TORO | 1951 | |
Plate V (folio 9) from TORO | 1951 | |
Plate VI (folio 10) from TORO | 1951 | |
Plate for Portrait with a May-Fly (Portrait à l'ephémère) | 1945 | Copper plate for the drypoint |
Plate from Un Poème dans chaque livre | 1956 | Aquatint from an illustrated book with seven etchings (three with aquatint, one with aquatint, drypoint, engraving, and roulette), three drypoints (one with engraving), two aquatints, two woodcuts, one engraving, and one lithograph |
Poems | 1974 | Illustrated book with two etching and aquatints |
Pomegranates in the Wind | 1951 | Lithograph |
Pompei III | 1958 | Lithograph |
Pool at the Villa d'Este | 1956 | Lithograph |
Portrait of Curt Valentin | 1946 | Lithograph |
Portrait of Robert Desnos (frontispiece) from C'est les bottes de 7 lieues: Cette phrase "Je me vois" | 1926 | Etching from an illustrated book with four etchings |
Portrait of Tal Coat | 1948 | Lithograph |
Portrait with a May-Fly (Portrait à l'éphémère) | 1945 | Drypoint |
Poésie de mots inconnus | 1949 | Illustrated book with seven woodcuts, seven etchings (two with aquatint, one with engraving), six lithographs, three drypoints, two engravings, one aquatint, and one linoleum cut |
Praying Mantis | 1942 | Ink on paper |
Prisoner of the Mirror: Transfiguring Your Death | 1939 | Ink on paper |
Pursued Woman (Femme poursuivie) | 1946 | Drypoint |
RECLINING NUDE, plate IV (folio 8) from CARNET DE CROQUIS | 1949 | |
Reader with Red Book | 1950 | Lithograph |
Reclining Nude | 1956 | Lithograph |
Red Pomegranates | 1950 | Lithograph |
Riez | 1953 | Oil paint on canvas |
Ripe Pomegranates | 1950 | Lithograph |
Rome: Portico of Octavia | 1956 | Lithograph |
Rose and Blue Mountain | 1956 | Lithograph |
Rut | 1957 | Lithograph |
SACRED COUPLING (plate VIII) from BESTIAIRE | 1945 | |
SAN TROVASO, plate XIX (folio 31) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
SIGNS (supplementary trial proof tipped onto folio 2) from ANATOMY OF MY UNIVERSE | 1938 | |
SIGNS (supplementary trial proof tipped onto folio 2) from ANATOMY OF MY UNIVERSE | 1938 | |
ST. MARK'S BASIN, plate XXIV (folio 36) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
ST. MARK'S SQUARE, plate V (folio 17) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
STATUE OF COLLEONI, EVENING, plate VIII (folio 20) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
STATUE OF COLLEONI, MORNING, plate X (folio 22) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
STATUE OF COLLEONI, NIGHT, plate IX (folio 21) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
SUNNY MIST, plate XX (folio 24) from CARNET DE CROQUIS | 1949 | |
Selections from the Sonnets | 1977 | Illustrated book with one supplementary drypoint and photolithographic reproductions after three brush and ink drawings |
Self-Portrait I (Portrait de l'artiste I) | 1946 | Drypoint and aquatint |
Self-Portrait II (Portrait de l'artiste II) | 1946 | Drypoint and aquatint |
Simulacre | 1925 | Illustrated book with seven lithographs |
Sirens | 1947 | Ink on paper |
Soleils bas | 1924 | Illustrated book with four drypoints (including cover) |
Solidarité (Solidarity) | 1938 | Illustrated book with four etchings (one with aquatint and engraving) and three engravings (one with drypoint) |
Spain Assassinated (Plate 4) from Solidarité (Solidarity) | 1938 | Etching from an illustrated book with four etchings (one with aquatint and engraving) and three engravings (one with drypoint) |
Standing Woman (in-text plate, folio 17) from Poèsie de mots inconnus | 1949 | Aquatint from an illustrated book with seven woodcuts, seven etchings (two with aquatint, one with engraving), six lithographs, three drypoints, two engravings, one aquatint, and one linoleum cut |
Star, Winged Being, Fish | 1955 | Oil, sand and glue on canvas |
Street Singer | 1941 | Cut-and-pasted painted and printed paper with conté crayon, ink, pencil, gouache, leaf, insect wings, and sand on colored paper |
Street at Daybreak | 1956 | Lithograph |
THE BIG LARVA (plate I) from BESTIAIRE | 1945 | |
THE CRUELEST OF ALL ANIMALS (plate II) from BESTIAIRE | 1945 | |
THE EDUCATION OF MONSTERS (plate III) from BESTIAIRE | 1945 | |
THE GRAND CANAL, plate XXIII (folio 35) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
THE MODELS' REPOSE, plate XIII (folio 17) from CARNET DE CROQUIS | 1949 | |
THE PALACE OF CIMAROSA, plate XVII (folio 29) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
THE PINEWOODS, plate III (folio 7) from CARNET DE CROQUIS | 1949 | |
THE QUARRY, plate II (folio 6) from CARNET DE CROQUIS | 1949 | |
THE SUNSHINE THROUGH THE PINES, plate VII (folio 11) from CARNET DE CROQUIS | 1949 | |
THEY DEVOUR EACH OTHER (plate X) from BESTIAIRE | 1945 | |
TINTORETTO'S HOUSE, plate XXI (folio 33) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
Table of plates (folio 12) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
Tailpiece (folio 5 verso) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
Tailpiece (folio 9) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
Tailpiece (page 160) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in black |
Tailpiece (page 160) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in black |
Tailpiece (page 223) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in black |
Tailpiece (page 223) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in black |
Tailpiece (page 76) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in black |
Tailpiece (page 76) from LES CONQUÉRANTS | 1948 | Lift ground aquatint, printed in black |
Terre sur terre | 1946 | Illustrated book with one lithograph (frontispiece); and ten line block reproductions after brush and ink drawings |
The Camargue | 1956 | Lithograph |
The Cock | 1951 | Lithograph |
The Frogs (Les grenouilles) | 1948 | Lithograph |
The Fruits of the Abyss (Les Fruits de l'abîme) from VVV Portfolio | 1942 | Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print |
The Fruits of the Abyss (Les Fruits de l'abîme) from VVV Portfolio | 1942 | Etching |
The Genius of the Species (Le génie de l'espèce) | 1942 | Drypoint and engraving |
The Genius of the Species (Le génie de l'espèce) | 1942 | Drypoint and engraving |
The Horse Tryout | 1951 | Lithograph |
The Kill | 1944 | Oil on canvas |
The Red Lands and the Montagne Sainte Victoire | 1948 | Oil paint on canvas |
The Sand Crab (Le crabe de terre) | 1942 | Etching, engraving, and drypoint |
The Sun in the Forest | 1959 | Lithograph |
The Tree (L'Arbre) | 1959 | Lithograph |
Three Pomegranates | 1950 | Lithograph |
Title page from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
Toro | 1951 | Illustrated book with seven lithographs (including wrapper front) |
Trial proof for plate facing page 12 from HISTOIRE DE L'OEIL | 1949 | Lithograph, printed in black, with blue pencil additions |
Trial proof for plate facing page 84 from HISTOIRE DE L'OEIL | 1949 | Lithograph, printed in black |
Trial proof for plate facing page 92 from HISTOIRE DE L'OEIL | 1949 | Lithograph, printed in black |
Trial proof for title page from HISTOIRE DE L'OEIL | 1949 | Lithograph, printed in black, with blue pencil additions |
Un Poème dans chaque livre | 1953 | Illustrated book with seven etchings (three with aquatint, one with aquatint, drypoint, engraving, and roulette), three drypoints (one with engraving), two aquatints, two woodcuts, one engraving, and one lithograph |
Untitled from Homage to Picasso (Hommage à Picasso) | 1973 | Aquatint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts |
VERONA, plate IV (folio 16) from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
VVV Portfolio | 1942 | Portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print |
Villa d'Este | 1958 | Lithograph |
Voyage à Venise | 1951 | Illustrated book with forty-one lithographs (including wrapper front) |
WHITE CHRYSANTHEMUMS, plate VIII (folio 12) from CARNET DE CROQUIS | 1949 | |
WHITE PERCHERON, plate XVII (folio 21) from CARNET DE CROQUIS | 1949 | |
Werewolf | 1944 | Pastel and ink on colored paper |
Wrapper front from CARNET DE CROQUIS | 1949 | Lithograph |
Wrapper front from TORO | 1951 | Lithograph, printed in color |
Wrapper front from VOYAGE À VENISE | 1951 | Lithograph, printed in color |
Ximenès malinjoude | 1927 | Illustrated book with six soft ground etchings |
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